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Seattle’s Most Colorful Restaurants

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The vibrant color at Circadia. 

Walking into Circadia, the downtown restaurant I review in our May issue, feels instantly vibrant—and as you settle in you realize why: It’s full of color. Champagne banquettes and teal wall coverings with textural embellishments across the spectrum of those complimentary hues play very nicely together, at once serene and festive.

And unabashedly un-Seattle. As it’s developed over the decades, the Seattle Look in restaurants has tended toward the coolly industrial, with woodsy naturals and all those famous shades of gray. (And enough exposed ductwork overhead to evoke a sort of factory chic.) Matt Dillon and Renee Erickson vaulted farmhouse whitewash to fashion—see Sitka and Spruce, see the Whale Wins—and a throwbacky Mad Men aesthetic has ushered in a midcentury neutrals vibe.  

But some restaurants just boldly declare their colors, and it’s refreshing.

Consider the reds of Dahlia Lounge; the butternuts of Lola. The perpetual golden sunset of Toulouse Petit. The bright oranges and yellows of Poppy, the Santorini blues of Omega Ouzeri, the imperial red against placid blue at Lionhead, the deep-sea tiled blues of Barnacle.

Blues and greens, indeed, appear to be on the ascendancy. Kedai Makan with its vivid green-blue walls. Manolin’s cerulean subway tile. The seaworthy greens saturating Bar Melusine. Stateside’s symphony of seafoam.

Are we seeing the start of something?











Kathryn Robinson
Kathryn Robinson
Senior Writer Seattle native Kathryn Robinson, award-winning restaurant critic and senior writer at Seattle Met, has been anonymously reviewing restaurants for over 30 years—first as editor of the Best Places guidebook series, then as staff critic at Seattle Weekly and contributing critic at The Seattle Times and Seattle magazine.  Midcareer she spent a year-long sabbatical studying comparative religion as a Knight Fellow at Stanford University where she had been an undergrad 10 years earlier, gaining a knowledge base she now calls upon for her monthly “Back Fence” column on our collective urban existence and the meaning it holds for our personal lives. In her off hours she is a partner and a parent—which means she has no off hours.