An installation wraps up the PACCAR Pavilion, Black Lodge goes grunge pop, and Carmen seduces the Opera House.
Opera and "Opera"
Contexts (and some fireworks) separate Porgy and Bess and The Phantom of the Opera.
In the last four years, the company has shifted its mission toward cultural equity.
Aida takes over McCaw Hall, El Centro de Raza celebrates Cinco de Mayo, and Chuck Klosterman reads.
The celebrated drag and burlesque performer chats about his (non-singing) opera debut in 'The Barber of Seville,' and why he's now totally obsessed with the artform.