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Northern Exposures

A Seattle photographer turns moribund bears into high-demand stars.

By Eric Scigliano December 28, 2008 Published in the June 2008 issue of Seattle Met

STEVEN KAZLOWSKI, the photographer behind the book The Last Polar Bear, never meant to be the go-to polar bear guy, let alone obsessed with saving them. After growing up on Long Island, he went to the Arctic because “with all that space and light, it seemed like a good place to learn photography.” For 12 years he worked odd jobs—in construction in Seattle, as a fish-boat observer in Alaska—and, with any free time he could buy (sometimes living in a station wagon on the North Slope’s fabled Haul Road), shot pictures: Bears eying seal suppers. Playful bears tossing around a tire, an oil drum, and a walrus flipper. The Iñupiaq bear hunters who became Kazlowski’s hosts and friends. (He finally tried bear meat last year: “It’s pretty tasty.”)

Now everyone from Vanity Fair to standing-room only audiences at book readings is clamoring for Kazlowski’s photos. His book comes at the right moment: Nothing says carbon catastrophe more plaintively than a white bear thrashing in a warming sea.

Kazlowski insists the bears found him—and still do. “Cubs sneak up and play tag with me. I get away fast—bears can rip your head off just playing.” But, he maintains, “they’re very gentle, loving, deep-thinking animals. They’re zen hunters. Imagine sitting on the ice for 48 hours waiting for a seal to pop through a hole.”

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