Two new exhibits just opened at the Frye, each with its own blockbuster element: a 12-foot-high wooden god, an indoor rain shower. But it’s the quieter pieces that leave the greatest impression. At first glance, Susie J. Lee’s Still Lives: Exposure looks to be a simple, striking photo portrait of an elderly woman napping. All that’s visible of “Annie” are the wisps of hair atop her head; she slumps in a chair with her head tucked into her chest...

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