Theater

Anything Goes at the World’s Quickest Theater Fest

Mini operas. Plays about boy scouts. It’s two weekends of extreme theater.

By Laura Dannen January 6, 2011

Put ‘em up, boy scout: Ben Burris in January’s 14/48: World’s Quickest Theater Festival. Photo courtesy Auston James.

Originally published in July 2010.

Finish this sentence: "Theater would be a lot more interesting if there were seven 10-minute plays about ________.”

Boy scouts. Kabuki. Pregnant women. The people behind 14/48: 14 Plays in 48 Hours have heard it all since they launched in 1997. Much like improv comedy, “anything goes, and it’s such a simple process, it’s scary,” says steering committee member and director Andy Jensen. The premise really is simple: Invite local talents (actors, writers, directors) to join in a two-weekend production binge, when participants write, design, rehearse, and ultimately perform 14 original plays in 48 hours (with the help of rotating naps and a keg of beer).

It can be thrilling—and if you’re a 14/48 “virgin” (newcomer), it can be slightly terrifying. Participation comes from luck of the draw. If you’re an actor who can’t sing, you’ll probably be cast in a mini opera. Have a no-nudity clause in your contract? “We know if we tempt the 14/48 gods, it’s going to happen,” Jensen says. “I ended up naked.”

What started as a one-night, one-time-only event has since becomes a two-weekend, twice-annual fest that draws some of the best theatrical talent in town. This weekend’s no exception. (Find the full participant roster here.)

Expect the unexpected. You just might see a Seattle theater veteran like R. Hamilton Wright playing an oversensitive pregnant woman or a teddy bear. It’s happened.

14/48: 14 Plays in 48 Hours is Jan 7 & 8, 14 & 15 at ACT Theatre. For info on tickets, click here.

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