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How We Got That Shot: J. Michael Kelly, Hydroplane Driver

Turns out the hydroplane that J. Michael Kelly drives isn’t just fast on the water.

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For our portrait of Seafair’s Albert Lee Cup defending champion, we hoped to include the boat. But catching up with that boat? Photographer Brandon Hill and I had a two-week window. Week one, the hydroplane was bound for the Tri-Cities for a test run—and our trek to meet it there alone would’ve eaten up our one allotted day. Week two, the boat was back in Fife and we hoped to put it into Lake Washington for the shoot. While we waited for repairs on the boat, we learned the owner was leaving town sooner than expected—and taking it with him to Indiana. So we forwent the boat altogether and, on June 16, just photographed Kelly at the Seafair hydroplane launch site. It was for the best. We discovered the day of the shoot that we would’ve had to coordinate a crane to set the boat in the water—a costly, time-consuming distraction. Besides, Kelly, alone with Lake Washington sparkling in the background, looks better than that elusive hydroplane ever could.  —Sara D’Eugenio, associate art director

Published in the Washington's Best Beaches issue of Seattle Met.











Sara Marie D'Eugenio
Sara Marie D'Eugenio
Deputy Art Director Sara D’Eugenio lived in Virginia, New York, and Georgia before settling in Seattle. Over her five-year professional career, she’s been a project-based photographer for the U.S. Departments of Congress and Finance and for Travel Channel’s Man vs. Food. She has also been a designer and retoucher at Conde Nast’s Self and art director for a coastal Georgia magazine. Two highlights of her career so far were learning how to create iPad magazines from the staff at Wired and working with photographer Dan Winters. At Seattle Met she designs features and various departments, including Mudroom and Dining Out. In her free time, she enjoys hanging out with her cats and photographing food.