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How We Got That Shot

The April 2016 cover.

Shortys seattle 2 y3ix5f

For this month’s Bars Feature, photographer Sarah Flotard and I tackled a lot of weekend, well, barhopping. Now, six bars in three days might not sound like a lot for your average nightlifer. But when you’ve got a long shot list of specific scenes to photograph and models and tangled, often conflicting, schedules for those models? We lucked out on the cover shoot, though, thanks to a coincidence. We were at Shorty’s in Belltown as the sun was setting perfectly on an uncommonly warm Saturday afternoon on February 20, and Flotard wanted to capture the moment before it slipped from our grasp. The problem? Our models hadn’t arrived yet, so we patrolled the bar. That’s when I saw her: One of the patrons was my former Starbucks barista. We asked her and her friends if they’d like to try modeling. Lucky us, they were naturals and continued to enjoy one another’s company while we photographed. Sometimes the most natural shots end up being the best shots. 

Published in the Best Neighborhood Bars issue of Seattle Met.











Sara Marie D'Eugenio
Sara Marie D'Eugenio
Deputy Art Director Sara D’Eugenio lived in Virginia, New York, and Georgia before settling in Seattle. Over her five-year professional career, she’s been a project-based photographer for the U.S. Departments of Congress and Finance and for Travel Channel’s Man vs. Food. She has also been a designer and retoucher at Conde Nast’s Self and art director for a coastal Georgia magazine. Two highlights of her career so far were learning how to create iPad magazines from the staff at Wired and working with photographer Dan Winters. At Seattle Met she designs features and various departments, including Mudroom and Dining Out. In her free time, she enjoys hanging out with her cats and photographing food.