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Music to Dine By

Restaurateurs pour bucks and intention aplenty into interior design, lighting, ingredients, menu, and big-name chefs. But who’s minding the music?

He’s not the ambiance you’re looking for.

The first Phil Collins song was okay; pleasant and mildly nostalgic. By the time the fourth rolled around we had fallen into an easy-listening coma. We were at Blind Pig Bistro, Charles Walpole’s teensy hideout in an Eastlake strip mall. The food was newfangled and variously intriguing; the unlikely space still radiant with the legacy of its two former occupants, Nettletown and Sitka and Spruce. Fellow diners were card-carrying Capitol Hill hipsters and independent foodie-types who could not possibly have been reacting any better to the insipid soundtrack than we were.

Oh! Change of music! Oh. Sting, circa 1985.

Please.

Was this merely a matter of taste? I asked my tablemates. Like a restaurant critic who doesn’t like eggplant—er, that would be me—unfairly dissing a restaurant for serving it? No, we all agreed, this is different. Restaurants are mood-makers; good restaurants like little theater sets which create a unified world for the diner to inhabit. The best restaurants match music to atmo to food, creating that intangible quality which builds memories: ambiance.

So Sting and Phil Collins in a family restaurant in a mall, perhaps? Ideal. No one’s dissing the musical chops of these talented gentlemen. But in a boutique foodie haunt known for the unique seasonal inventions of a name chef? (A really small foodie haunt?) For such a place, lowest-common-denominator pop is a jarring mismatch to the message of the enterprise. “Is it even possible to enjoy grilled radicchio with pumpkin puree and Moulard duck while listening to ‘If you love someone, set them free…’?” posited a tablemate with something like existential fervor.

The sting (ha) intensified when we reminisced about the turntable Sitka and Spruce owner Matt Dillon used to spin in this very space, playing his own quirky collection of world music and old jazz. Sigh. A few places around town have turntables, like Mulleady’s in Magnolia—but the match I’m talking about isn’t dependent on vinyl. It’s simply a matter of aesthetics. When perfect matches of music to mood to food happen the effect is so seamless you might not even notice.

When they don’t? You notice.











Kathryn Robinson
Kathryn Robinson
Senior Writer Seattle native Kathryn Robinson, award-winning restaurant critic and senior writer at Seattle Met, has been anonymously reviewing restaurants for over 30 years—first as editor of the Best Places guidebook series, then as staff critic at Seattle Weekly and contributing critic at The Seattle Times and Seattle magazine.  Midcareer she spent a year-long sabbatical studying comparative religion as a Knight Fellow at Stanford University where she had been an undergrad 10 years earlier, gaining a knowledge base she now calls upon for her monthly “Back Fence” column on our collective urban existence and the meaning it holds for our personal lives. In her off hours she is a partner and a parent—which means she has no off hours.