Behind the Scenes
Nordstrom’s Chanel runway show brought style icons and Sasquatch fantasies to Woodinville
Posted by: Laura Cassidy on Jun 11, 2010 at 09:30AM
Slideshow: Andre Leon Talley at Januik-Novelty Hill Winery on behalf of Vogue and Nordstrom for a fall/winter 2010 Chanel runway show; over $130,000 was raised for Pacific Northwest Ballet and the Henry Art Gallery
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Photo:
Adam Sinding
Slideshow: Andre Leon Talley at Januik-Novelty Hill Winery on behalf of Vogue and Nordstrom for a fall/winter 2010 Chanel runway show; over $130,000 was raised for Pacific Northwest Ballet and the Henry Art Gallery
View Slideshow »
Photo:
Adam Sinding
Even before we got downstairs to the wine cellar, where the futuristic, sterile vibe gave the collection’s narrative a storybook setting, the cool, modern architecture at Januik-Novelty Hill perfectly suited the event. Everyone was talking about how Karl would have approved. Coco, I’m sure, as well.
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Photo:
Adam Sinding
At the VIP boutique; after the runway show, pieces from the collection were added
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Photo:
Adam Sinding; Le 21eme Arrondissement
Chanel boots that lent to the luxe Sasquatch look
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Adam Sinding
From left: Elisabeth Gessel, in local designer Tina Allen; Shelley Buurman, in a dress from Baby & Co and Chanel boots; and Calidora Skin Clinic CEO Colette Courtion in a vintage leather Chanel top (probably the best piece there)
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Photo:
Adam Sinding
Margaret Blair and Roya Haroun
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Adam Sinding
Roya’s temporary Chanel tattoo
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Adam Sinding; Le 21eme Arrondissement
Jennifer DeLuca and Cindy Paur, friends who came in the same Chanel suit, but they didn’t seem to mind – probably because they each had their own take on how to wear it
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Photo:
Adam Sinding
The shoe-gazing was pretty fantastic
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Adam Sinding
The ice cube handbag that Andre referred to in our interview
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Photo:
Adam Sinding; Le 21eme Arrondissement
And then it was down to the cellar. Sure, the icebergs at the Grand Palais in Paris (where the collection debuted) made a nice backdrop, but Woodinville definitely held its own on Wednesday night. Worth noting: Wednesday’s show was the first time the collection was shown since the initial run in Paris.
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Photo:
Adam Sinding; Le 21eme Arrondissement
A high-shine white rectangular runway wrapped around the gleaming wine barrels, which were easy to reimagine as something slightly more ominous or apocalyptic
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Photo:
Adam Sinding
The collection is all about what Mr. Lagerfeld calls “fantasy fur” – it’s not animal fur, but it is meant to evoke a post-modern cavewoman’s closet. This is, apparently, what the well-dressed will be wearing at the end of the world (which may go down, it seems, fall/winter 2010).
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Photo:
Adam Sinding; Le 21eme Arrondissement
The fantasy fur pants really brought the Sasquatch vibe
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Adam Sinding
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Adam Sinding
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Adam Sinding
The thing that makes Chanel Chanel, and Lagerfeld such a genius, is that no matter how outre and conceptual things get, the clothes still have a Coco-ness about them
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Photo:
Adam Sinding; Le 21eme Arrondissement
The classic black and white, the menswear angle, the cuffs. The cuffs! The accessories were amazing.
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Adam Sinding
And always a little black dress or two
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Adam Sinding; Le 21eme Arrondissement
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Adam Sinding
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Adam Sinding
The knit coats were fantastic. If that’s what we’re wearing in the next ice age, bring it on.
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Photo:
Adam Sinding; Le 21eme Arrondissement
Lagerfeld, who also designs for Fendi, has said that because that house does such exquisite real fur, he felt that this fantasy fur thing was right for Chanel. I think we’ll all be wearing it in six months.
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Photo:
Adam Sinding
There was some great leather, though.
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Adam Sinding
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Adam Sinding; Le 21eme Arrondissement
There’s an icy, Neanderthal vibe to the best accessories in the collection
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Adam Sinding; Le 21eme Arrondissement
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Adam Sinding
I guess partly because he can Lagerfeld sent out a play on the muffler – a scarf-like accessory with iconic Chanel boucle-covered hot water bottles for each hand.
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Photo:
Adam Sinding
We’ll still need bikinis in the next ice age
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Adam Sinding
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Adam Sinding
It was surprising to see baby blue angora, and even more surprising to like it.
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Photo:
Adam Sinding
Again, there were familiar refrains despite the heady concepts
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Adam Sinding; Le 21eme Arrondissement
I loved all the soft creme knits pieces; almost every look was paired with loosely woven, holey tights
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Photo:
Adam Sinding
Now that’s fantasy fur.
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Photo:
Adam Sinding
Seeing the pieces at close range is such a different experience … and seeing them within a setting and with a story really makes it. The show was expertly produced and executed by the Nordstrom team in tandem with Chanel’s runway producers; the house is known for putting on a show; Chanel doesn’t just send clothes down a runway, and to that end, Seattle held up its end of the bargain.
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Photo:
Adam Sinding; Le 21eme Arrondissement
Thanks for coming to town, ALT
I sort of blurted it out. As we were waiting for the show to begin, I just went and ahead and asked Vogue contributor Andre Leon Talley if he buys into this whole end of the world thing.
It’s in the air – the oil spill, the ongoing global unrest, etc – and it’s in the fall/winter Chanel collection that Talley accompanied (on behalf of Anna W and the magazine) to Woodinville’s Januik-Novelty Hill Winery for a Nordstrom-sponsored fundraiser for Pacific Northwest Ballet and the Henry on Wednesday, June 9. With his faux-fur pants and icicle spike heels (see them all in the slideshow here), Chanel designer Karl Lagerfeld is either anticipating another ice age or really concerned about the melting glaciers – or both. But no, Talley isn’t stocking his basement with canned food and preparing for the end days.
“We’ve got to remain positive,” he said, in that clear, almost preacher-man baritone. And then he flashed that wonderful grin.
In looking forward to seeing Lagerfeld’s post-modern cavemen collection, I had spent the day thinking about how the time to dress is now. If we’ve only got til 2012 (or fall/winter 2010!) there’s a real urgency to turning it out on a daily basis. And Talley, all six feet and seven inches of him, is someone who definitely dresses daily.
“Oh no, you cannot wait until tomorrow to put your best foot forward,” Talley told me, and confirmed that the clothes we were about to see on the runway were Lagerfeld’s “survival tactics for permafrost culture.”
Although on one hand it’s the most basic of art forms, fashion is also a pretty abstract medium. Without talking to Lagerfeld personally (now that would be something), it’s impossible to parse exactly what he meant to convey with what he has called the “fantasy fur” collection. Maybe it’s simply a high/low thing: inexpensive fake fur for all – and for every outfit and every season. Kind of like costume jewelry in the ‘30s – or the ’10s. Maybe it is a comment on global warming, or cooling, or whatever. Probably. When the collection debuted in the Grand Palais in Paris, his team brought in actual icebergs from Scandinavia to give the clothing context. But Tally’s heavily associated with the likes of Andy Warhol, Anna Wintour, and Michelle Obama, and what I also wanted to know was, do we want political and environmental commentary from fashion designers?
“Yes, you do,” was Talley’s quick reply. Collections are a “designer’s vocabulary for the season,” he continued. “Fashion is a language.” But the iconic fashion editor doesn’t so much think that clothes can change the world — “they get you up the stairs and out the door,” he said, but he dismisses the notion that they make the man, and he resists giving them too much power. “There are other things than fashion, there are other things than shopping.” Namely? “The oil spill, childhood obesity, education.”
As obtuse as Chanel’s messages may be, it’s possible to catch certain phrases loud and clear – and many of them are quite well-humored. Talley likes the ice cube clutch in particular, and hey, those wooly mammoth boots and hot water bottle mufflers? (See the slideshow) I mean, c’mon. Lagerfeld may be concerned about the future of the planet, but he’s having a pretty good time with it for the time being.
“The world is wacked. The world has always been wacked. The Spanish Inquisition was wacked. The tea baggers were wacked. Sarah Pallin was wacked. We’ll always have wacky wackers,” Talley mused, suggesting again that fashion is as much a necessary escape from reality as a part of it.
And Talley does know about reality. The real kind, sure, and the television kind. The ANTM judge insisted that Tyra’s modeling competition helps young women better understand the industry and develop a thick skin, but he isn’t really into the genre as a whole.
“Reality television does more harm than it does good. That god awful Dancing with the Stars. The horrible, degrading torture those people are subjected to. The outfits! The ghastly exercise – only to fail,” he went on…
So what would he rather watch?
“I Love Lucy. The Golden Girls. That was television.”
Before I left Talley to mingle with the other guests, I couldn’t resist asking him for his take on Lady Ga Ga. For my money, she’s basically a horse-woman of the apocalypse.
Here Talley paused and looked at me with a certain gravitas. “I prefer Grace Jones.”
In other words, perhaps, get used to the idea of fake fur pants.
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