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Film Review

A Quick Guide to the Oscar-Nominated Animated Shorts

Catch them all at once at the Varsity, along with the five live-action nominees.

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Flyingbooks2

“The Fantastic Flying Books of Mr. Morris Lessmore”

View Slideshow » Illustration:

“The Fantastic Flying Books of Mr. Morris Lessmore”

View Slideshow » Illustration:

“The Fantastic Flying Books of Mr. Morris Lessmore”

Starting this Friday, Varsity Theatre screens the (often elusive) Oscar-nominated animated shorts in a special engagement prior to the awards ceremony on February 26. In preparation, we watched them all and picked our winners.

“The Fantastic Flying Books of Mr. Morris Lessmore”
William Joyce, Brandon Oldenburg
USA, 15 minutes

A fierce windstorm—the kind begging someone to cry out “Auntie Em!”—lands Morris Lessmore and his beloved collection of books in an Oz of flying, piano-playing novels. Animated by William Joyce, formerly of Pixar and Dreamworks, this whimsical short has trademark Pixar heart and wit: “Why does the weasle [sic] go ‘pop’?” Lessmore writes in his journal. “Does it matter?”
Where else? An iPad app turns the film into an active storybook (don’t test its flight capabilities, though).

“Wild Life”
Amanda Forbis, Wendy Tilby
Canada, 13 minutes

This beautifully handpainted short tells the story of a remittance man—a wealthy young Englishman sent to rustic Alberta in 1909 to be a rancher—with documentary-style comments from the folks who know him. Each still deserves its own frame and a wall to hang it on.
Where else? Download it—for a small fee—from the National Film Board of Canada (Canadians can watch for free).

Runners-up:

“A Morning Stroll”
Grant Orchard, Sue Goffe
UK, 7 minutes

Like one long gag, an extended “Why did the chicken cross the road?” joke, a chicken moseys down a New York sidewalk and turns heads in 1959—but can’t compete with a smartphone in 2009. It’s sharp and funny, but lacks the narrative depth of the other films.
Where else? It’s making appearances at film festivals around the world, but we don’t know when Seattle will have another chance to see it.

“Dimanche/Sunday”
Patrick Doyon
Canada, 10 minutes

First-time filmmaker Doyon tells the story of a young boy trying to entertain himself on a dreary Sunday as he is dragged to church and his grandparents’ house. Unfortunately, the film conveys his boredom a little too well with its sluggish pace. The few moments of action are, strangely, the deaths of animals—a rabbit is run over by a car, and a fish loses its head in the kitchen.
Where else? Like “Wild Life,” this one is available from the National Film Board of Canada.

“La Luna”
Enrico Casarosa
USA, 7 minutes

In Pixar’s submission, written and directed by Casarosa, a boy is taken out in a boat in the middle of the night by his father and grandfather and initiated into the family business—custodians of the moon. The underlying coming-of-age plot feels stale, which, despite a few truly clever moments, knocked it down our list; however, the film might snag a solid grip on the Academy’s heartstrings.
Where else? Attached to Pixar’s Brave, out June 22.

Oscar-Nominated Short Films 2012
Out Feb 10, Varsity Theatre

The Fantastic Flying Books of Mr. Morris Lessmore from Moonbot Studios on Vimeo.

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Tags: Film, Varsity Theatre, Oscars 2012

Film Review

Little Budrus Busts the Barrier

A feel-good holiday film from a Middle Eastern flashpoint.

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Ayed’s daughter Iltezam braves the bulldozers.

Here’s an unlikely holiday movie: a feel-good documentary about the Israeli-Palestinian conflict. And not just another heartwarmer about musicians or children learning to play together, but the gripping account of a showdown over a patch of territory each side deems worth killing or dying, for: a Palestinian olive grove just across the border from Israel.

Contrary to some misperceptions, the barrier fence/wall that Israel began building in 2003 to deter terror attacks doesn’t simply follow the “Green Line” between its territory and the West Bank. It snakes like a gerrymandered congressional district, deep into Palestinian territory, avowedly to block infiltration routes, allegedly to disrupt and weaken a Palestinian state.

This isn’t abstract geopolitics in the village of Budrus. The barrier will hem in it and eight other villages, loom over its school, and lop off 300 acres—the cemetery and the 8,000 olive trees that are its anchors and its mainstay. But one villager, a veteran but, it seems, disillusioned Fatah activist named Ayed Morrar, has a different idea. He doesn’t mention Gandhi or King, but he’s clearly imbibed or deduced their teachings: Nonviolent civil disobedience is the most effective weapon against otherwise insurmountable oppression, as long as the oppressor is at least somewhat susceptible to shame, embarrassment, or outside pressure. (It wouldn’t work against Hitler, as Gandhi conceded, and hasn’t against China’s, Iran’s, and Burma’s rulers.)

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And so the men and youths of Budrus—even a local Hamas leader, ordinarily Morrar’s nemesis—step up to the army’s bulldozers, batons, and teargas. The women insist on joining them; Morrar’s teenaged daughter, overcoming her fear, speaks as eloquently for the cause as he does. Israeli and international peaceniks follow, complicating the soldiers’ jobs: “Because they were Jews we couldn’t use violence against them,” says Yasmine Levy, a raven-maned squad leader who enlisted in the border police because she wanted to play a “more assertive” role.

Perhaps the international character of the film crew—Palestinian, Israeli, and American, headed by Brazilian director Julia Bacha—disarmed resistance on all sides. In refreshingly frank interviews, everyone—even the slightly scary but especially frank Yasmine—emerges as sympathetic, save a hardline deputy minister seen in TV news debates.

Not to give too much away, but Budrus winds up a perfect holiday film—too pat perhaps, but moving, affirming, inducing the feeling that anything is possible, even a just peace in the Middle East.

Budrus plays at the Varsity Theatre. Nadav Greenberg of the Just Vision filmmaking team will appear at tonight’s showing (Sun, Dec 19) at 7:15pm.

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Tags: Film, Varsity Theatre, Israel, Palestine

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