Seattle Met Logo
Advertisement

Culture Fiend

Posts tagged with: Concert

Main Content Skip to Sidebar and Blog Navigation
Music

Guns N’ Roses: A Lamentation

We had the LA rockers on repeat for about a decade—but we can’t bring ourselves to see them in concert this Friday.

Email
Gnr

It just ain’t the same anymore.

I’m not afraid to say that Guns N’ Roses helped me make friends. I had just started a study abroad program in Melbourne, Australia, and was living in a dorm full of locals who weren’t as enamored with my accent as I was with theirs. It’s not like I had moved to Tokyo, but yeah, there was a little culture shock. Start with the guy on my hallway who actually used all the Aussie slang printed on coffee mugs in tourist shops: “chockablock,” “good on ya,” “fair dinkum.” They slathered tar on their toast and called it Vegemite. They hated peanut butter.

The only common ground I found in the beginning was “beer”…until I heard Slash’s guitar solo to “Sweet Child o’ Mine” through my next-door neighbor’s walls. I knew that solo. I loved that solo. Not back when they first debuted Appetite for DestructionI was only six, and Slash wasn’t the greatest role model —but through high school and college, when I played GNR on repeat for the better part of a decade. It was “Welcome to the Jungle” and “Paradise City” before every soccer game, and “November Rain” when I was mad at my mom for not letting me wear man-sized flannel shirts to school. And when I daydreamed about fronting a rock band, I always started my set with a cover of “Sweet Child o’ Mine.” If Axl could hit those falsetto notes, imagine what a girl could do!

It seemed my Aussie wallmate had the same daydream. Aaron, a skinny redhead who disappeared behind his electric guitar, had been perfecting the Slash solo in his dorm room—with the door open—for the better part of an hour. I got up the nerve to peek in, offered some kind of lame compliment, and then got to chatting about how amazing it would be to see GNR live. The rest, they say, is ace.

Fast forward to today. A week after Guns N’ Roses entered the Rock and Roll Hall of Fame (beating out Northwest favorites Heart, no less), a ghostly shade of the band is slated to play KeyArena this Friday. And it’s killing me. It’s as close as I’ll ever get to seeing them live, but this is imitation GNR. A cover band. Axl Rose, now with cornrows, and his backing seven. Sure, Duff McKagan’s new band Loaded will open, and I hear the concerts are three-hour epics, but when it comes to the international language of Slash’s guitar solo, I’d rather hear the original.

Guns N’ Roses plays KeyArena Dec 16 at 8.

Add a Comment »

Tags: Concert, KeyArena

Concert

A Little Tennis, Anyone?

The husband-and-wife pop duo plays the Crocodile tonight.

Email

After months spent sailing the Eastern seaboard, husband-and-wife duo Tennis turned out Cape Dory in January, a debut album of nostalgic ’60s pop gems that reflected all that sunshine and fresh air. It was a slice of summer in the middle of the winter.

But Patrick Riley and Alaina Moore seem to have found their sea legs with brand-new single “Origins,” off their forthcoming album Young and Old (due out Feb 2012). It’s more grounded, with a hint of soul (bolstered by synthesizers and a horn section). It bodes well for tonight’s concert at the Crocodile; tickets are ludicrously cheap ($12) and still available at thecrocodile.com.

Origins by tennisinc

Tennis plays the Crocodile Dec 14 at 8pm.

Add a Comment »

Tags: Concert, The Crocodile

Concert

Bushwick Book Club Seattle Sets Hunter S. Thompson to Music

An unusual book club creates songs of fear and loathing for the concert hall.

Email
Hunter-thompson-illustration

Illustration: Carty Sewill

Originally published December 2011. "There is nothing in the world more helpless and irresponsible and depraved than a man in the depths of an ether binge,” Hunter S. Thompson warns in the opening pages of Fear and Loathing in Las Vegas, as he freewheels across the Nevada desert in a red Chevy convertible with a trunk full of drugs and booze. (“Two bags of grass, 75 pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine…”)

But what would Thompson’s mescaline-fueled misadventures sound like if they were a symphony? It’s the latest challenge set by Seattle’s Bushwick Book Club, a rotating cast of singer-songwriters that performs original music inspired by a monthly reading assignment. Bushwick launched in October 2010 with a Slaughterhouse-Five session at the Can Can cabaret (and about 50 friends in the audience). Since then, they’ve tackled S. E. Hinton’s The Outsiders, Nick Hornby’s High Fidelity, Frank Miller’s graphic novel The Dark Knight Returns, even Howard Zinn’s A People’s History of the United States. Tonight, they’ll hold their biggest show yet, as the 60-piece Seattle Rock Orchestra joins them for a little Fear and Loathing at Town Hall.

Read more about the Bushwick Book Club in our December feature.

The Bushwick Book Club Seattle and Seattle Rock Orchestra Present: Original Music Inspired by Hunter S. Thompson’s ‘Fear and Loathing in Las Vegas’, Dec 9 at 8pm at Town Hall. Tickets are $13–$15.

Add a Comment »

Tags: Concert, Seattle Rock Orchestra, Town Hall, Books & Talks

Music Review

Laura Veirs Turns Kindie Rocker

Portland’s folk phenom shows off her new children’s album at the Vera Project.

Email
Laura_veirs

Considering that Portland folk star Laura Veirs sang about mermaids and moonbeams before she gave birth, a children’s album seems an obvious postpartum project. She takes froggy a-courtin’ on Tumble Bee, a spirited new collection of folk covers borrowed from Woody Guthrie and Peggy Seeger, African American lullabies and Civil War–era fiddle tunes. Don’t try to resist “Prairie Lullaby” when she plays an all-ages show at the Vera Project on December 3; the gentle, swaying song (with a bit of yodeling) could rock any Scrooge to sleep.

Laura Veirs and the Tumble Bees play an all-ages show at the Vera Project, Dec 3 at 3:30 (doors open at 3). Tickets are $10, $5 for children 12 and under. Babes in arms free.

Add a Comment »

Tags: Concert, Family Friendly, All-Ages, The Vera Project, Album Review

Ticket Giveaway

Win Two Tickets to See Jesse Sykes and the Sweet Hereafter

Psychedlic folk rock? Hear it next Wednesday at Neumos.

Email
Sykes

Jesse Sykes

We’re feeling generous again: Enter to win two tickets to see Jesse Sykes and the Sweet Hereafter at Neumos on December 7.

After nearly a decade of being pegged “alt-country,” Sykes and guitarist Phil Wandscher enter new territory on their latest record, Marble Son, which explores the darkness and chaos of ’60s psychedelia and art metal. Even the explanation of the album title is heavier: “I liked the idea of something beautiful that may or may not be appreciated in it’s own time,” Sykes says. “Of course, a statue comes to mind.”

They’re joined by opening bands the Highway Kind (with Matt Camirand from Black Mountain) and Low Hums (with Jonas Haskins/Jason Merculief of Alela Diane).

To enter to win tickets, email SeattleMetTix@gmail.com with “Jesse Sykes” as the subject, and a reason why you want to see the show, by Friday, December 2, at 5. The winner will be notified by email shortly after the deadline.

Jesse Sykes and the Sweet Hereafter play Neumos on Dec 7. Doors open at 8.

Add a Comment »

Tags: Concert, Neumos, Neumos, Ticket Giveaways

Friday Video Break

On Sale Saturday: Fitz and the Tantrums Tickets

January just got less dreary—the LA soul band plays two nights at the Showbox.

Email

I recently tried to request Fitz and the Tantrums’ "MoneyGrabber" at a wedding reception in Rhode Island, and the DJ blew me off. Two likely reasons why:

1. “MoneyGrabber” sounds like “MoneyGrubber,” which is the last thing a new bride wants to hear at a wedding. Exception to the rule: Kanye West’s “Gold Digger.”

2. The six-piece LA soul band isn’t as recognizable as a Gaga, Spears, or Perry—yet. Front man Michael Fitzpatrick and his crew have been packing clubs in Southern California with their dance-friendly ‘60s retro since 2008, but it wasn’t until the release of their 2010 debut album, Pickin’ Up the Pieces, that they started picking up steam. This year they were late-night regulars (Jimmy Kimmel, Conan, and Leno) and did a tour of summer festivals that would have exhausted James Brown. Hopefully by 2012, they’ll be in rotation with “Edge of Glory” and “Billie Jean” at a wedding reception near you.

Until then, see Fitz and the Tantrums at Showbox at the Market on January 20 and 21. Tickets ($20-$25) are on sale Saturday, November 19, at 10am at showboxonline.com.

Add a Comment »

Tags: Concert, Ticket Alerts, Showbox at the Market

Local Music

Minus the Bear, 10 Years Later

Bassist Cory Murchy talks about their early years and boys becoming men.

Email
Minus-the-bear11

Minus the Bear

View Slideshow » Illustration:

Minus the Bear

View Slideshow » Illustration:

Minus the Bear

Ten years ago, Minus the Bear was just a fledgling Seattle indie band. Or, more specifically, five dudes who hung out in a bar all the time, trying to crack an inundated local music scene with prog-rock songs about sex and booze. Their beards were shorter; their song titles sillier (“Monkey!!! Knife!!! Fight!!!”) But they had talent, no doubt. Their debut album Highly Refined Pirates—a party in a CD case—came out at the hands of legendary producer Steve Fisk, who also worked with Nirvana, Soundgarden, and the Posies.

A lot can happen in a decade. Four albums. A new keyboardist. A chance to open for Soundgarden. Headlining tours. Marriage. Babies. It’s enough to make a man reflect. Before the band wraps up its 10-year-anniversary tour at Showbox at the Market on Friday—where they’ll play Highly Refined Pirates in its entirety—bassist Cory Murchy chatted with us about “five boys turning into men.”

How has Seattle changed since you guys started?

When we first started out our shows were at the Paradox [an all-ages club that’s since closed]. Luckily the Vera Project still does all-ages shows. It’s kind of neat, though: It’s a lot of the same characters and a lot of the same players from 10, 15, 20 years ago. There’s a thread of continuity.

Do you think your music has changed drastically?

Hopefully it just shows progression, growth—you know, five boys turning into men, learning how to live together and make the tour happen. This is our livelihood, our business, and it’s also our art and our life.

What would you call what you’re playing now?

Classic rock for the future. You want to listen to it now, and hopefully you want to listen to it 20 years from now.

What’s the biggest highlight of your career so far?

The fact that we can do this 10 years on is our biggest achievement. It took us a while to gain some respect in Seattle. There were other bands that came out at the same time that got a lot of attention, and got really big, and a lot of those bands are gone. I’m proud to say that 10 years on, we’re still chugging at it and there’s really no end in sight. It’s awesome to see Seattle finally come around and realize we’re not just another local band.

Minus the Bear plays Showbox at the Market on Nov 11 at 9. The Velvet Teen opens.

Add a Comment »

Tags: Concert, Interview, Seattle Music, Minus the Bear

Ticket Giveaway

Win Two Tickets to Jane Birkin’s Tribute to Serge Gainsbourg

The British chanteuse honors her late lover—and rallies on behalf of Japan.

Email
Janebirkin

Jane Birkin and Serge Gainsbourg, circa the 1970s.

Over the past month we’ve handed out tickets to see Friendly Fires and the Posies, St. Vincent and Visqueen’s final concert. I have one more pair of tickets sitting on my desk. Enter to win a chance to see Jane Birkin in a tribute to Serge Gainsbourg at the Neptune Theatre on November 29.

It’s been 20 years since the passing of French iconoclast Serge Gainsbourg, a prolific songwriter and provocateur whose 550 songs and 30+ albums earned him bipolar praise (he was called everything from “debauched” to a “modern-day Baudelaire”). The Vatican banned his breathy duet “Je T’Aime … Moi Non Plus” (“I love you, me neither”), featuring orgasmic panting by Gainsbourg’s longtime lover Birkin, but that only encouraged him. He was a fervent drinker, smoker, poet, and paramour who bedded Brigitte Bardot—but it was Birkin he adored, who was mother to his daughter Charlotte, and who now owns a portion of Serge’s song catalog.

The British actress and chanteuse—a talented solo artist in her own right—is still going strong at 64. As for why now, why more Serge? She responds on her website:

I too wondered why I was singing Serge again, even if it was celibrating the 20 years after Serge’s death, even if it was a very personal 40 years since “Melody Nelson” but what did I have to offer … i’d done it all before, Serge in pop, arabesque, classic quator, 14 musiciens, 6 musiciens, a harp, a squeeze box, violins … this year others have started, their “Serge” was a new point of view, their interpretations… so I started contemplating, putting it all off …

Then there was the Japanese disaster … of unbelievable horror, earthquake, tsunami, and then the ghasly news of the nuclear horror, the like of which we had never witnessed … the images…

What to do ? I have known these people for forty years… “go there” I thought… tell them that back home folk are thinking of them, but get there, “and do what ?” what can I do ?….the only thing i can do… a concert …

Birkin is joined by Japanese musicians for her “Serge Gainsbourg and Jane via Japan” performance in Seattle. To enter to win tickets, email SeattleMetTix@gmail.com with “Jane Birkin” as the subject, and a reason why you want to see the show, by Monday, November 14, at 10am. The winner will be notified by email shortly after the deadline.

Jane Birkin performs at the Neptune Theatre on November 29 at 8.

Add a Comment »

Tags: Concert, Neptune Theatre, Ticket Giveaways

Classical and More

The Fine Fiddling of Joshua Bell

But would you stop if you heard him on the street?

Email
Joshua-bell

Joshua Bell, probably playing the devil for his soul in this shot.

Photo by Eric Kabik

Watch out for hyper-talented buskers, Tacoma. Joshua Bell, one of the most famous violinists in the world, is playing the Broadway Center for the Performing Arts on Wednesday night, and he’s known for more than his onstage performances. In 2007 he donned street clothes and played his $3.5 million Stradivarius in a Washington, DC Metro station, and almost no one noticed. (Though he did score $32.17 in tips, and the Washington Post article about the stunt won a Pulitzer. Not a total loss.)

Sure, Bell probably won’t be doing any secret busking on this trip—he flies in for a program with the Tacoma Philharmonic that’s tailored to his particular talents. Four violin sonatas are on tap: one each by Mendelssohn and Beethoven, Cesar Franck’s late-19th century Violin Sonata in A Major, and Eugene Ysaye’s 20th-century Ballade.

If allegro vivace doesn’t do it for you there are plenty of other reasons to catch Bell, either in Tacoma this week or with the Seattle Symphony on January 10. The hottie 43-year-old fiddler is known for his floppy, Bieber-like hair (watch it fly!), but also holds champion scores for the computer pinball game Crystal Caliburn and once paraglided into an outdoor concert.

Check out Bell’s DC busking below. Better than our local Pike Place musicians? It’s a close call, but Bell should probably keep his day job.

Violinist Joshua Bell plays Tacoma’s Broadway Center for the Performing Arts on Nov 9.

Add a Comment »

Tags: Concert, Classical and More, Classical and More

Ticket Giveaway

Win Two Tickets to Visqueen’s Final Performance

They’re wrapping it up after 10 years of shredding.

Email
11-11-26-visqueen

Seattle’s Rachel Flotard and Ben Hooker have been rocking together as Visqueen for a decade—but sometimes rock stars have children, touring gets tough, and the tough have to call it quits. So it’s bittersweet that we’re offering a chance to win two tickets to Visqueen’s final performance at the Neptune Theatre on Saturday, November 26, at 8.

Visqueen’s current crew—Flotard, Hooker, bassist Cristina Bautista, and (with luck) Barb Hunter on electric cello—will cover hits from the band’s entire catalog: their energetic punk-pop debut King Me (2003), 2004’s cymbal-clashing, guitar-shredding Sunset on Dateland, and 2009’s love letter to Flotard’s late father, Message to Garcia. And in honor of the occasion, one of Visqueen’s favorite bands, local punk trio Broadcast Oblivion (Drew Church, Dave Hernandez of the Shins, and Coady Willis of Murder City Devils), will reunite for the evening to open.

To enter to win tickets, email SeattleMetTix@gmail.com with “Visqueen” as the subject, and a reason why you want to see the show, by Monday, November 7, at 10am. The winner will be notified by email shortly after the deadline.

Visqueen’s Thanksgiving Fare-Thee-Well Performance is at the Neptune Theatre on Nov 26.

Add a Comment »

Tags: Concert, Neptune Theatre, Ticket Giveaways, Visqueen

Ticket Alert

On Sale Friday: Deck the Hall Ball Tickets

With Mumford and Sons, Death Cab for Cutie, Foster the People, and more for a not-so-silent night.

Email
Mumford___sons_sofa_1_0

West London folkies Mumford and Sons headline Deck the Hall Ball 2011.

View Slideshow » Illustration:

West London folkies Mumford and Sons headline Deck the Hall Ball 2011.

Mornings have gone from crisp to cold, which means it’s perfectly reasonable to start thinking about Deck the Hall Ball, 107.7 The End’s annual winter music fest, on December 7.

After three years at WaMu Theater, the whole show is moving to Key Arena to support the stacked indie lineup:

Mumford and Sons
Death Cab for Cutie
Cage the Elephant
Foster the People
Young the Giant
Two Door Cinema Club
Group Love

That’s a lot of first-class rockin’…around the Christmas tree. (Groan.)

Tickets go on sale this Friday, October 28, at 10am at ticketmaster.com, the Key Arena box office, or select Fred Meyer stores. Or tune in to 107.7 The End this week to try to win tickets.

Add a Comment »

Tags: Concert, Music Fest

Concert

TONIGHT: Chromeo at Showbox SoDo

Break out the shoulder pads—the ’80s are back.

Email

Montreal synth-pop duo Chromeo is unapologetically ‘80s. It’s Hall and Oates with neatly trimmed facial hair. Paula Abdul should be dancing backup in a Jazzercise leotard. But the good thing about this brash flashback is that the band’s latest LP, Business Casual, manages to make old school funk sound fresh. Ironic ’80s remixing only goes so far—these guys mean business, layering actual string arrangements over synthesizer braggadocio.

Be ready to dance.

Mayer Hawthorne and the County and Sammy Bananas open. Doors open at 7; tickets ($30) are still available.

Add a Comment »

Tags: 80s, Concert, Showbox SoDo

Advertisement