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Arts Crush

Checking Out The Novel: Live!

Thirty-six authors + six days + countless pots of coffee = marathon book-writing session.

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William Dietrich gets down to business during The Novel: Live! at Hugo House. Photo by Olivia Margoshes.

When I first heard of The Novel: Live! I envisioned a group of writers huddled around a computer while one of their own sat typing to a chorus of sharp gasps and choice expletives. How else would 36 people crank out a novel in six days? “I wanted something wild and nutty that would get people excited,” said author Garth Stein, co-conspirator behind this week’s marathon book-writing session at Hugo House.

Inspired by New York’s annual marathon reading of James Joyce’s Ulysses, Stein recruited his fellow Seattle7Writers, a cadre of nationally acclaimed authors, even his mom (“She’s typing up a synopsis”) to take turns crafting sections of the story. When I arrived at Hugo House yesterday, Day 1 of Noveling, Pulitzer Prize–winning author William Dietrich was nearing the end of his two-hour stint at the computer. As he typed, his words were projected onto a giant pull-down screen behind him:

So they prowled through the desk. As before, much of it seemed like Mayan code to both of them, a bunch of numbers and accounts that gave no clue as to whether to Angeline Hotel was solvent or bankrupt.

So far, the story depicts the life of Alexis Austin, who lives on the top floor of her mother’s Seattle hotel. There are caskets in the basement (next to the washing machines) and an old hippie resident with a pet crow named Habib. Clearly, one of the strengths of the novel will be its reflection of styles and genres as diverse as its authors. How diverse? Dietrich pens historical/mystery novels. Sean Beaudoin used to write for the Onion. Robert Dugoni deals in murder, treachery, and legal thrillers.

“In a lot of ways it’s easier than writing a whole novel,” said Stein, who’ll take his turn on Thursday. “With fiction, anything is possible. You’re all by yourself. Here, though, you have a preexisting scenario that other writers get to draw from.” For a full list of participating writers, as well as a live feed (it’s not as creepy as it sounds, I promise) of the author up to bat, visit thenovellive.org. To witness the magic in action, head over to the Hugo House between 10am and 10pm, now through Saturday. Once finished, the novel will be edited and published in the spring as an e-book; tips and donations benefit Writers in the Schools, which places local authors in public schools as a way to spark interest in reading and writing.

UPDATED 10/15/10. Open Road Integrated Media, a company that publishes and markets ebooks, announced today that it will publish the novel produced by Novel: Live!

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Tags: Hugo House, Books & Talks, Arts Crush, Publishing

Theater Review

Theatre Blitz (or How to Take Arts Crush Literally)

Four plays, four nights: how did they (and we) hold up?

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You may get wet Sextet at Washington Ensemble Theatre

View Slideshow » Illustration:

You may get wet Sextet at Washington Ensemble Theatre

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Hans Altwies, left, Denis Arndt and Bhama Roget break out a bottle of equalizer in God of Carnage. Photo courtesy Chris Bennion.

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Candy (Emily Grogan) and Homer Wells (Connor Toms) share a dance in The Cider House Rules, Part II. Photo courtesy Adam Smith.

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Joseph Morales plays rapping bodega owner Unsnavi in the traveling Broadway production of In the Heights. Photo courtesy Joan Marcus.

Every now and then, I like to challenge myself. Go bungee jumping and skydiving in the same day. Reread every Harry Potter novel in a week. Make it until noon without a cup of coffee. My latest tango with insanity was in honor of Arts Crush, the month-long arts and culture extravaganza across the greater Seattle area. Since next week is Theatre Week (with a launch party on Monday, October 18), I decided to go to four plays in four nights—to preview the local fare in true “arts crush” fashion, and to drive my husband nuts. A few of the shows close soon, so act now to plan your own marathon.

The results (in order of appreciation):

God of Carnage at Seattle Repertory Theatre
Through October 24
Two uptight, upper-class couples meet to discuss a playground dustup between their children, and within 30 minutes, manners are abandoned and a dainty wealth manager is projectile-vomiting across the stage. (Special effects!) Yasmina Reza’s Tony-winning play is already full of smart dialogue (“As soon as a woman starts crying, a man is provoked to excess”), but in this production, director Wilson Milam and his all-star cast milk every pause, every facial twitch, every bite of pastry for a laugh.
Verdict: Hilarious. Prompts large men to guffaw for 90 straight minutes.
Arts Crush deal: Date Night discount every Friday night through October: buy one, get one free.

The Cider House Rules, Part II at Book-it Repertory Theatre
Through October 16
When Book-it Rep puts on its low-tech, faithful adaptation of John Irving’s novel, The Cider House Rules, it’s basically money in the bank. It’s their LeBron James. Jane Jones’s direction set the standard for the company 20 years ago, and it’s still some of the most creative staging I’ve seen; the ensemble makes it rain just by tapping their fingers on the floor. It’s a testament to Book-it that a two-part, seven-hour play that tackles abortion can remain so popular.
Verdict: If you caught Part One, you can’t miss Part Two. And even if you missed Part One, they’re staging the entire play—with a break for dinner—on October 16. Tickets are $125 and include a three-course family-style meal and wine.

Sextet at Washington Ensemble Theatre
Through November 15
Keeping true to WET, this world premiere Tommy Smith play was like nothing I’d seen before. Three tales of infidelity—inspired by the true stories of three composers, Tchaikovsky among them—are told simultaneously; actors share lines and a small stage, and manage to get through their scenes without bumping into each other. And they do it in a standing pool of water. Why? I don’t know. There’s sex and murder, toplessness and soaking wet negligees. It’s inventive, to be sure—a little too inventive. When “six voices speak at once” (a sextet, they say), it’s hard to hear them all clearly.
Verdict: Hit and miss. If you sit in the front row, you may get wet.

In the Heights at 5th Avenue Theatre
Through October 17
I had mile-high hopes for this traveling Broadway show, which won the Tony for best new musical in 2008 with its tender story about dreams built and crushed in Manhattan’s Washington Heights neighborhood, feisty Latin rhythms and insanely talented break-dancing ensemble. It was Rent bred with So You Think You Can Dance. … But a mile’s a long way to fall. When a good portion of the dialogue is delivered by a rapping bodega owner (played here by the underwhelming Joseph Morales), and the volume is so loud you can’t understand half of it, it’s hard to care about these young New Yorkers.
Verdict: Shouldn’t have skipped dinner for this one.
Arts Crush deal: Free tour of 5th Avenue Theatre, lobby and house, at noon on Mondays through October. RSVP required. Call 206-625-1900.

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Tags: Review, Theater, Arts Crush

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