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Opera in HD

Sign Up Now for Tickets to Seattle Opera’s Free Madama Butterfly Simulcast

Those 8,000 seats will go quickly.

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Photo: Courtesy Patricia Racette, ©Marty Sohl, Metropolitan Opera, 2009

To close its 48th season, Seattle Opera will rely on the young love of 15-year-old geisha Cio-Cio-San, the “delicate butterfly” who falls for a dashing U.S. Naval officer, Lieutenant Pinkerton, in Madama Butterfly. Puccini’s tragedy is still wildly popular—and a great introduction for opera neophytes. Seattle Opera plans to simulcast opening night of the opera in HD at KeyArena, where roughly 8,000 people can view the production on a 50′ × 80′ screen…for free. All you have to do is sign up online.

Priority seating registration opened at 9am this morning at seattleopera.org/keysimulcast. UPDATED 5/3/12. Reservations are now closed; limited walk-up available. As we reported in our Spring Arts Preview, this broadcast will be the company’s first foray into simulcasting, which has proved to be a sort of modern miracle for high art. The Metropolitan Opera set the standard six years ago under its big-spending new general manager Peter Gelb, investing in costly HD cameras to broadcast live performances to movie theaters worldwide. By democratizing opera, The Met: Live in HD grossed $11 million at the box office in 2010. Seattle Opera doesn’t have simulcast plans beyond Butterfly, but representatives acknowledge it could expand its audience exponentially, especially after newcomers hear soprano Patricia Racette sing the title role. The Met regular makes her Seattle debut in a part she now owns; her Butterfly is more emotionally complex, less porcelain doll, the way Puccini intended her to be. “Cio-Cio-San is an Italian woman in a kimono…. Asian restraint has nothing to do with this character,” said SO general director Speight Jenkins.

Madama Butterfly simulcast
May 5 @ 7:30pm, KeyArena, free

Madama Butterfly
May 5–19, McCaw Hall, $25–$241

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Film News

Sundance Cinemas Coming to Seattle at Metro Cinemas

Successful arthouse chain takes over the Landmark Theatre property starting May 1.

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Metro Cinemas will soon become Sundance Cinemas Seattle.

Metro Cinemas will soon be under new management in what should be a boon for Seattle film lovers. Sundance Cinemas, a spin-off of the Sundance Film Festival and one of the leading providers of independent, foreign, art, and documentary films, will take over the 10-screen complex starting May 1.

This won’t be the typical moviegoing experience. All seats at Sundance Cinemas are reserved (i.e. no more showing up early to get the choice spots). There will also be a full bar and bistro lounge with real food (including Peet’s Coffee and Tea) in addition to the classic movie treats. “We’ve been successful because our patrons have embraced this grown-up way to watch a film,” said Nancy Klasky Gribler, Sundance Cinema’s VP of marketing.

The plan is to renovate while in operation over the following months. Upgrades will include new projection and sound systems, expanded stadium seating, and a new lounge. There will be no downsizing, as all 10 screens will be kept.

Sundance Cinemas currently has theaters in San Francisco, Madison, and Houston with sites opening soon in Hollywood and Dobbs Ferry, New York. According to Sundance Group President Robert Redford, the addition of a Seattle site helps continue the group’s push to bring a fresh film experience to patrons from coast to coast.

“Finding a home for Sundance Cinemas in Seattle is something I’ve wanted to accomplish since we launched this endeavor, so I’m very pleased about this announcement,” said Redford in a statement. “Because independence and personal expression have always been encouraged and embraced here, the city’s overall cultural vitality make this a particularly exciting community collaboration for us.”

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Tags: Film, Sundance

The Weekend Starts....Now.

Met Picks: Sleigh Bells, The Twilight Zone: Live!, Bunny Bounce

The top 10 things to see or do this weekend.

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Headbanging with Sleigh Bells.

Photo courtesy Magnus Blikeng /Flickr.

CONCERTS

Apr 8
Sleigh Bells
Fresh off of a Saturday Night Live appearance and the release of their second record Reign of Terror, the Brooklyn noise-pop duo comes to shred and dance the blues away. Showbox SoDo, $20–$25.

Apr 7
Cults
The pop duo of Brian Oblivion and Madeline Follin performs sweet songs with dark lyrics that explore issues of substance abuse and coming of age. Neptune Theatre, $18–$20.

Apr 7
Young the Giant
Still riding high on the success of their self-titled debut LP, an MTV Video Music Awards performance, and an endorsement from Morrissey, Young the Giant brings its buzzy brand of pop rock to town. Moore Theatre, $20.

FILM

Apr 6–12
Laura
Gene Tierney plays the titular femme fatale who enchants from the dead in this 1944 noir. Now in a new 35mm print, and selected for preservation by the Library of Congress, Laura will live on—as will lines like, “I don’t think I’ve ever had a patient who fell in love with a corpse.” Northwest Film Forum, $6–$10.

BOOKS & TALKS

Apr 6
Christopher Moore
The novelist has made a living out of playfully satirizing holy grails. In Lamb, he pens the lost Gospel “according to Biff, Christ’s childhood friend.” For his latest, Sacré Bleu (out April 3), a young baker-painter and friend Toulouse-Lautrec investigate a twisted paint dealer who may have had a hand in Van Gogh’s supposed suicide. University Book Store, free.

THEATER

Apr 5–28
The Twilight Zone: Live!
Theater Schmeater dims the lights, cues the creepy music, and taps into the second season of the Cold War–era sci-fi chiller. On the bill: stage adaptations of “The Howling Man,” “A Penny for Your Thoughts,” and explosive fifth-season episode “The Jeopardy Room.” ACT Theatre, $15–$25.

GASTRONOMY

Apr 7
Washington Artisan ­Cheesemakers Festival
Local cheesemongers Beecher’s, the Calf and Kid, Central Co-Op, and Whole Foods offer up the best handcrafted cheese platters in the state, paired with other local noshes, beer, wine, and cider. Seattle Design Center, $35–$40.

VISUAL ART

Apr 5–12
Wynne Greenwood: Peace In
When The Stranger named the local artist a Genius in 2008, they called her “lesbian-feminist-video-music-performance-installation-sculpture work” honest and strange. Some things never change; she showcases new soft sculpture, ceramic busts, and music.. Lawrimore Project, Free.

FAMILY

Apr 7
Bunny Bounce
Celebrate Easter with an egg hunt on the North Meadow, bunny encounters, arts and crafts, and other exciting programs for children ages one to eight. Woodland Park Zoo, Free with zoo admission, $9–$12.

Apr 7
Caspar Babypants
The alter ego of Presidents of the United States of America’s Chris Ballew is an acoustic-guitar-slinging family man who Itsy Bitsy Spiders his way across the city. Mount Baker Community Club, $6–$12.

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Tags: Met Picks, Weekend

Worth the Ride

Trippin’ Through the Tulips

Get out of town and check out these regional events in April.

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Vibrant rows of Skagit Valley’s famous tulips.

With the weather slowly improving as spring springs up around us, it’s high time for a road trip. While there’s plenty around Seattle to satisfy your cravings, the Northwest is rich with alternative cultural ventures. Here are a few options for regional getaways to indulge in this month.

Skagit Valley Tulip Festival
Apr 1–30
Flower gazers arrive by the busload every spring to walk among the 300 acres of tulips—a multihued carpet of blooms at the peak of growing season. If allergies overwhelm, the festival offers escape via wine tastings and helicopter tours.
Free. 311 W Kincaid St, Mount Vernon, 360-428-5959; tulipfestival.org

Soul’d Out Festival
Apr 12–25
Portland has an extra swagger to its step this month as some of the top soul, jazz, and funk acts visit the city for the third annual music fest. Esperanza Spalding, Allen Stone, Justice, and Wanda Jackson lead the revival.
Visit website for details, souldoutfestival.com

Travel and Words: Pacific Northwest Travel Writers Conference
Apr 29 & 30
Aspiring Pico Iyers mingle with veteran freelancers, magazine staffers, and tourism industry pros during two days of panels and workshops. Expect the “Earn a Living as a Freelance Writer” session to be crowded,
$125–$180. Sun 1–6; Mon 8–4. Fort Worden Conference Center, 200 Battery Way, Port Townsend; travelwritersconference.com

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Tags: Out of Town, Worth a Trip

Concert Preview

The Return of Mt. St. Helens Vietnam Band at Neumos

After a tough year, the Seattle indie quartet comes back refreshed.

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Now down to four members, Mt. St. Helens Vietnam Band look to forge a new sonic path.

It’s time to test the theory that absence makes the heart grow fonder. Thursday night at Neumos marks the return of two noted Seattle-based indie bands that have been on extended hiatuses—Mt. St. Helens Vietnam Band and Throw Me the Statue. It’ll be MSHVB’s first real Seattle show since opening up for Dismemberment Plan in February of 2011. But there are good reasons for the band’s absence.

“We had a really difficult year after our last tour,” says front man Benjamin Verdoes. “We’d just been touring so much for the past couple years, and there was certainly a level of disappointment as far as being able to sustain it, and a little bit of disillusionment…or maybe a lot of it.”

Difficult is an understatement. After finishing up the last tour Benjamin and his wife (and former MSHVB member) Traci Egglestron split. Soon after, the mother of Benjamin and MSHVB drummer Marshall Verdoes passed away. Then bassist Jared Price’s grandmother died.

Overwhelmed, the band decided to take some time apart. Considering the band hadn’t taken time off since forming in 2008, it was the right call. Benjamin spent the summer living in San Francisco and Marshall traveled to South Korea.

While in San Francisco, Verdoes began working on material for the band’s new record, Prehistory; an EP that will be released digitally this spring. The band recorded most of the album live at a former church in Annacortes in an attempt to strip back some of the sonic layers. While there are still a few MSHVB calling cards on the record (such as guitarmonies), the band sees this as a transition record. The new tunes aren’t as manic or frantic and the lyrics are more reflective and personal than the character-based songs found on the band’s previous records. Evidence of these changes can be found on the mellow and slow-burning “Warm Body,” a track from the EP that MSHVB released last week.

Having hit the reset button, Verdoes is excited to get back on stage and move MSHVB into their next phase.

“I guess we don’t really have the same perceptions of ourselves anymore,” says Verdoes. “I think we’re always trying to move forward and I think having a break for the first time helped us extricate ourselves from that continuous motion that we’d been a part of since we started. I think that now we can look at our past and ourselves more objectively.”

Mt. St. Helens Vietnam Band
With Throw Me the Statue, Cataldo
Apr 5 @ 8pm, Neumos, $10

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Tags: Concert, Neumos, Seattle Sound

Season Announcement

Seattle Rep’s 50th Season Includes War Horse, Pullman Porter Blues

Theatre’s 2012–13 lineup also includes plays by Tennessee Williams and David Mamet.

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The Tony-winning War Horse makes a tour stop as part of Seattle Rep’s 2012-13 season.

If 50 is old, Seattle Repertory Theatre isn’t showing its age. The upcoming 2012–13 season will be Seattle Rep’s 50th, and to make sure it’s a celebration worth noting, the theatre has announced a wide-ranging lineup. Not only does the season feature works by theatrical institutions David Mamet and Tennessee Williams and the previously announced touring production of War Horse, but the season kicks off with the world premiere of Pullman Porter Blues by Seattle’s own Cheryl L. West (Before It Hits Home).

Here’s the full lineup, which begins in September.

Pullman Porter Blues
Sept 27–Oct 28
By Cheryl L. West
Midwest blues tunes played by a live band lay the backdrop for the story about three generations of African American porters on a train headed from Chicago to New Orleans one night in 1937.

The Glass Menagerie
Oct 19–Dec 21
By Tennessee Williams
Originally slated for the 2011–12 season before postponement, this classic American drama explores an aging Southern belle who longs for her youth and wants to provide her children with the comforts she once had.

Inspecting Carol
Nov 23–Dec 23
By Daniel Sullivan and the Seattle Repertory Theatre Resident Company
This comedy about a haphazard production of A Christmas Carol by a hapless theater troupe returns for its fourth staging at Seattle Rep since 1991.

American Buffalo
Jan 11–Feb 3, 2013
By David Mamet
Wilson Milam, who directed Seattle Rep’s 2010 production of Mamet’s Glengarry Glen Ross, directs this story about three men planning to steal valuable coin and the problems that arise.

Photograph 51
Feb 1–Mar 3, 2013
By Anna Ziegler
Ziegler explores the struggles of a woman in the male-dominated scientific field in this biographical play about Rosalind Franklin, who helped discover the double helix mechanism of DNA.

War Horse
Feb 13–24, 2013
Based on the book “War Horse” by Michael Morpurgo, adapted for the stage by Nick Stafford
in association with Handspring Puppet Company
The touring production of 2011’s Tony Winner for Best Play (which spawned the Oscar-nominated Spielberg film), comes to the Paramount Theatre as a joint presentation by Seattle Rep and Seattle Theatre Group. Dazzling puppetry brings to life this tale of a boy and his horse on the Western Front.

Good People
Mar 8–31, 2013
By David Lindsay-Abaire
Class distinctions are at the core of this Tony-nominated play about a struggling single mother who reconnects with an wealthy ex-boyfriend.

Boeing-Boeing
Apr 19–May 19, 2013
By Marc Camoletti, adapted by Beverley Cross
Set in the 1960s, this French farce finds a bachelor, who carefully juggles three stewardess fiancees, in hot water when a faster Boeing jet changes the women’s work schedules and all three show up at the same time.

Seattle Rep season tickets ($98–$472) are now on sale at seattlerep.org.

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Tags: Seattle Repertory Theatre, Theater, Season Announcement

Seattle Sound

Album of the Month: Eighteen Individual Eyes’ Unnovae Nights

We highlight another new local album that belongs in heavy rotation.

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Crepuscular rock reigns on Eighteen Individual Eyes’ Unnovae Nights.

As March rolled in and slowly began granting Seattle more hours of sunshine, Eighteen Individual Eyes made sure the city still had a tantalizing taste of darkness. The Seattle quartet’s new album Unnovae Nights sounds like Wild Flag-meets-atmospheric art rock with a dash of nightmarish imagery.

Something sinister seems to be lurking around every corner of Unnovae Nights, but front woman Irene Barber’s alluringly smooth vocals help soothe the potential in a way that harkens to St. Vincent. While the album is packed with song titles like “Octogirl” and lines like “Love for fate. The place and time of death addressed and kept away,” the album avoids being dark in a cheesy way. This isn’t horror punk hokeyness. The interaction between Barber and guitarist Jamie Aaron gives the album a real identity. The coy interplay between their guitar lines on songs like “Tree Farm in the Darkness” builds each song’s tension, and Aaron also provides spot-on background harmonies.

Famed Seattleite producer Matt Bayles has his fingerprints all over Unnovae Nights. He knows how to make a rhythm section (drummer Andy King and bassist Samantha Wood) pop without burying the guitars in the mix (see: Mastadon, Minus the Bear, et al.). Some of the ripping lead guitar tones Eighteen Individual Eyes employ are also instantly familiar for fans of Bayles’s production. While tracks often show glances of math rock influence, they’re never tied down in technicality. These songs have solid cores that would still sound full even stripped down to Barber’s vocals and a single acoustic guitar.

Unnovae Nights is, appropriately, one of those albums that one can hardly imagine listening to in the day. Eighteen Individual Eyes are here to satisfy our nocturnal listening needs. Maybe those extra hours of daylight weren’t so great after all.

UPDATED 4/25/12. Eighteen Individual Eyes will play Neumos on April 26, and has joined the Capitol Hill Block Party lineup.

Eighteen Individual Eyes
Apr 26, doors at 8, Neumos, $8

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Tags: Seattle Music, Album Review, Seattle Sound

The Weekend Starts....Now.

Met Picks: Taste Washington, Eugene Mirman Comedy Festival, X2

The top 10 things to see or do this weekend.

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Eugene Mirman brings a host of his quirky comedy friends to town this weekend.

CONCERTS

Mar 30
Hot Java Cool Jazz
Starbucks hosts five of the area’s best high school jazz bands come together to raise money benefiting music education. Paramount Theatre, $20.

FILM

Opens Mar 30
Undefeated
The 2012 Oscar-winner for best documentary, the chronicle of high school football in Memphis finally hits Seattle. The film’s co-director T. J. Martin is a native Seattleite. Martin will be present for Friday’s 7pm screening and conduct a Q&A session after the film. Varsity Theatre, $8–11.

Apr 1
National Theatre Live: The Comedy of Errors
The live theater series, beamed in from London, continues with an update of Shakespeare’s farcical tale of mistaken identity, now set in a modern Western city. (The two Dromios wear Arsenal jerseys.) British comedian Lenny Henry, lauded for his 2009 Shakespearean debut as Othello, stars as Antipholus. SIFF Cinema at the Uptown, $15–$20.

BOOKS & TALKS

Mar 30–Apr 1
Saturday University—The Future of Asia’s Cities: Design, Environment, Health
Turenscape, the design firm founded by Kongjian Yu, won the 2011 World Architecture Festival’s landscape category for turning a garbage dump into a waterway. He explains the sustainability principles behind his firm’s development of green urban spaces. Stimson Auditorium at Seattle Asian Art Museum, $5–$10.

DANCE

Mar 30–Apr 1
X2
Seattle choreographer Mark Haim expands on his 2010 NW New Works Festival crowd-pleaser This Land Is Your Land, a seemingly simple line dance in which dancers attired (and unattired) in street clothes walk, strut, and sashay to a honky-tonk score. Also on the bill is The Time, set to the mesmerizing music of Dutch composer Louis Andriessen. On the Boards, $20.

THEATER

Mar 29–31
Eugene Mirman Comedy Festival
Odd-ball stand-up Eugene Mirman brings plenty of his funny friends—including Todd Barry, Bobcat Goldthwait, Kristen Schaal (30 Rock, Flight of the Conchords)—to town for three nights of laughs. Different nights’ shows include everything from a science radio show hosted by Neil deGrasse Tyson to the unpredictable variety show Talent Show: Truth or Dare. Neptune Theatre & the Crocodile, $20.

CLASSICAL & MORE

Mar 31
Seattle Metropolitan Chamber Orchestra
Led by 25-year-old conductor Geoffrey Larson, this youthful orchestra returns to Benaroya for a session of 20th-century American chamber works: Copland’s Fanfare for the Common Man, Adams’s Chamber Symphony, and string selections by Barber. Benaroya Hall, $10–15.

GASTRONOMY

Mar 30 & 31
Hop Scotch Spring Beer and Scotch Festival
Taste beer, scotch, wine and other spirits in this fundraiser for the Seattle International Film Festival. Admission comes with a commemorative glass and tasting tokens; for a little more, try flights of Scotch and tequila or sign up for an hour-long seminar to become a Scotch expert. Fremont Studios, $20–$35.

Mar 31 & Apr 1
Taste Washington
Join Seattle Met as we sip and sample our way through wines and tasty bites from over 200 Washington wineries and restaurants. Meet some of your favorite winemakers and restaurateurs during this delicious two-day event. This opportunity only comes once a year—don’t miss it. CenturyLink Field, $75–$150.

SPECIAL EVENT

Mar 30–Apr 1
Emerald City Comicon
The 10th Emerald City Comicon brings together famed nerd figures like George Takei and a massive collection of comic memorabilia for a weekend of nerd bliss. Washington State Convention and Trade Center, $20–$60.

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Tags: Met Picks, Weekend

Smashmouth Filmmaking

A Chat with Undefeated’s Oscar-Winning Director T. J. Martin

The documentary finally opens in Seattle this Friday.

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T. J. Martin receives his Oscar for Undefeated from Gwyneth Paltrow.

T. J. Martin is still reeling. One month ago the Seattle native and his directing partner, Dan Lindsay, won an Oscar for Undefeated, their documentary about a North Memphis high school football team’s run to the playoffs. “The Academy Awards were always something I watched and thought, ‘Well, I’ll never win one of those,’” Martin says. “I have to remind myself that this actually happened.” This Friday, he’ll be back in Seattle to present the film at the Varsity Theatre. But first, while walking his girlfriend’s dog in LA, he took a few minutes to talk about overcoming his antifootball bias.

I watched the film last night with my wife—who hates football—and she turned to me at the end with tears in her eyes and said, “I loved it.” I don’t know how that compares to winning an Oscar, but there you go.
That’s always my favorite compliment, when people come up to us and say, “I wanted to hate your movie so badly, but I cried four times.” Going into the film, to be honest with you, I was not much of a football fan at all. I wouldn’t say I despised the sport, but I definitely didn’t have an affinity for it. Ostensibly it’s a sports film, but to us it’s so much more than that.

Did you set out to make a movie about a football team, and this just happened to be the one you found?
Our producer, Rich Middlemas, went to the University of Tennessee, and he actively follows their football recruiting—to the point that it’s probably unhealthy. He was on the message boards and saw people talking about this kid, O. C. Brown, and when he did some searching, he found an article about how he was living part-time with his coach in order to get his grades up. So we knew the idea of this kid shuttling between these two disparate communities while being courted by all of these colleges was just an interesting space, and we saw an opportunity to make a really intimate coming-of-age film about O. C. But then we met some of the other players and the coach, and we were like, “This is amazing.”

How did the kids react to you and the cameras?
Coach Bill put it best: You have managers and water boys and all of these people in different departments in the team. So if you’re playing a game and you come off the field and someone hands you a water bottle, you don’t even pay attention to that person. And we became one of those departments.

You mentioned that you really didn’t have an affinity for football before this. From your high school days, did you have preconceived notions about high school athletes that you brought to the production?
Well, I was a high school athlete. I played basketball. My preconceived notion was just a bias against football. [laughs] Basketball’s a better sport—that’s my preconceived notion.

Undefeated
Opens Mar 30 at the Varsity Theatre. Tickets ($8–$11) on sale now at landmarktheatres.com.

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Tags: Oscars, Film

TV

The Killing Returns, But Do You Care?

Some viewers felt burned by the Seattle mystery, but it promises to deliver this year.

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Det. Holder just called to say he misses you. And he’s going to wash his hoodie this season, he swears.

Remember The Killing? The downpours, Linden’s terrible relationship skills, that mayoral candidate that squinted a lot? Dumb old Belko? Good times.

We were so excited when the crime drama premiered last April, “Who Killed Rosie Larson” posters a-blazing. It had all the hallmarks of a prestige project, including being remade from a Scandinavian hit and airing on the same channel as Mad Men and Breaking Bad. Since the show was set in Seattle—woohoo, establishing shots of the Space Needle!—we were pumped.

Like many viewers, the Seattle Met editors blogging about The Killing soon got critical. The show was filmed in Vancouver, not Seattle, so locals nitpicked sets and locations. Week after week featured painful scenes of grief, interspersed with byzantine political conspiracies or contrived acts of religious bigotry. As the mystery unfolded, red herrings piled up and started to stink like, well, dead fish. Worst of all, come the final episode [first-season spoiler alert!], we still didn’t know who killed Rosie Larsen.

But there was also the good: The breakout star was Joel Kinnaman, who played Detective Holder as a lanky ex-hoodrat with addiction issues, and it’s easy to care about what happens to him next. Not surprisingly, Hollywood has nabbed Kinnaman for an upcoming RoboCop remake.

The show returns Sunday—um, April Fools?—and this time it’s making some solid promises. Producers promise [vague second-season spoiler alert!] to reveal Rosie Larsen’s killer by (and possibly in) the final episode of the season. But the show could be overshadowed by the return of the eagerly anticipated Mad Men and buzzy HBO series Game of Thrones (now that was a TV season that always paid its debts, if you know what we mean).

Tell us: Are you signing up for another season of casinos and call girls? Have you been holding your breath for more of Holder smoking and Detective Linden yelling at her son? Do you even remember who Belko was?

The Killing premieres April 1 on AMC.

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Hard-Hitting Sports Talk

Seattle Mariners 2012 Arts and Culture Preview

We talk baseball with a trio of arts folks. ‘Cause why not?

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Brendan Ryan accurately sums up what it feels like to be a Mariners fan.

Photo courtesy Keith Allison/Flickr.

On Wednesday night the Seattle Mariners will be kicking off the 2012 Major League Baseball season, playing the Oakland Athletics in Tokyo on Wednesday at 3am in a game that will only be watched by hardcore seamheads and severe insomniacs. But it got us Culture Fiends thinking, what’s the upcoming season hold for the Mariners?

We asked some Seattle cultural figures for their take. Our distinguished panel includes Garth Stein, the best-selling author of The Art of Racing in the Rain (whose theatrical adaptation opens in April at Book-It), Chris Miller, the Lake Stevens native who codirected the hit film 21 Jump Street (now in theaters), and Andrew Russell, the new artistic director at Intiman Theatre (celebrating its 40th season in the summer of 2012). Hopefully their answers will offer a little insight—or at least some entertainment.

What are you most looking forward to this Mariners’ season?

Garth Stein: “I think it would be really exciting if they could score some runs. Is that too much to ask? I follow them enough to know that they trade whatshisname, the big pitcher dude (Michael Pineda), so they could get a big bat (Jesús Montero) in here.”

Chris Miller: “I am excited to see what the threesome of Dustin Ackley, (Justin) Smoak, and (Jesús) Montero do. The young future offensive core has been so sad for the last many, many moons. They haven’t been able to hit the baseball into places where people aren’t.”

Andrew Russell: “Well, after Googling to ensure that the Mariners were in fact a baseball team, I Googled even further and looked at the food that is available at the ballpark. I would have to say that’s what I’m looking forward to most. I think saw a corn dog that was particularly reminiscent of the county fair. And although I’m a vegetarian, it taunted me in a way that I think I might break my rules. I will claim that it’s for the team and for the sake of Seattle, but it’s really for the secret carnivorous child that lives in side me.”

What’s your biggest concern about the Mariners heading into the season?

Miller: “The thing that gives me the most dread is reality. My optimism comes from a ’Well, if everything goes right… If these guys develop faster than expected and everyone stays super healthy and Ichiro reverts to his classic form and if, if, if, if…’”

Stein: “That they can’t score. Because eventually then everybody gets depressed because then it’s all like, ‘Well if our pitching staff can get negative runs a game, then we can win.’”

What’s your projection for the Mariners?

Stein: “The way the rest of the AL West is loaded up, I can’t imagine the Mariners doing very well this year. But hey, there’s always a chance. Look at Rocky. Although he did lose in the first movie…”

Miller: “It’s going to be pretty tough, because I feel like Texas and Anaheim are pretty darn good. If they have a .500 season that would be great. My guess is somewhere around the high 70s (for total wins)."

Russell: “It’s 2012, which is the year of the water dragon. And the Mariners, I’m deducing in some sense that they have a relationship to water. So therefore it will be a big year. It’s either going to be kickass, out of the ballpark success or like, flood of 19-whateveritwas absolute failure. There won’t be a middle ground.”

Anything else?

Miller: “Ummm… I like clam strips?”

Stein: “I have this thesis on the Mariners.

I believe that the Mariners are a product of their environment. The season for the Mariners, if you look at the past and probably this coming season, is kind of like spring weather in Seattle. You know, a spring day starts out; it’s cloudy and a little bit drizzly, and it’s kind of dreary a little bit. And then in the afternoon it clears up; the sun comes out, the clouds are beautiful, it gets a little warmer, and everybody gets all happy and excited. And then by dinnertime the clouds come back and it gets cold again. And by the end of the night it’s raining. That’s pretty much how every Mariners season has gone since 2005. There’s a little ray of hope, and you think, ‘Oh maybe…’ and then ‘No. It’s gonna rain.’

But, why do we survive the weather in Seattle? Because we look around and we say, ‘Well at least we have the beautiful mountains.’ And that’s Safeco. Safeco is the mountains. Because even though the Mariners are going to end up sucking by the end of the year, at least there is a cool stadium and we can have garlic fries or something.”

For the 2012 Seattle Mariners complete schedule visit seattlemariners.com.

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Tags: Sports, Mariners

Ticket Alert

This Week at SIFF: Lebowski & Leonardo

High culture meets “high” culture.

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Seattle’s Jeff Dowd is “The Dude” in real life.

Seattle International Film Festival has never had a problem blurring the lines between high culture and pop culture, as evidenced by this week’s distinctly different film-related events.

SIFF’s Big Lebowski Bowling Bash is a fundraiser honoring the cult classic The Big Lebowski, an event where shades and sandals will be more the norm than a sharp suit. Expect excessive line quoting and the number of white Russians and pins downed to be roughly the same. The man that the Coen brothers based Lebowski on—Seattle’s own Jeff “The Dude” Dowd—will be in attendance and presumably he’ll really tie the room together.

For a more traditional dose of fine art, screenings of SIFF’s Leonardo Live were so popular last month that additional dates were warranted. Leonardo Live brings the works from Leonardo da Vinci: Painter at the Court of Milan, the largest exhibit of Leonardo’s art ever assembled, to the big screen in HD with commentary by art experts like Tim Marlow and Mariella Frostrup. Works on display include 7 of the 15 existent Leonardo paintings and 60 of his drawings, 10 of which relate to The Last Supper. Now that the exhibit is no longer on display at the National Gallery in London, this might be the last chance to get a guided tour of the monumental collection of this Renaissance master.

Big Lebowski Bowling Bash
Mar 28 at 5:30, Garage. Tickets ($50) on sale now at siff.net.

Leonardo Live
Mar 28 & 29 at 6:30, SIFF Cinema. Tickets ($15) on sale now at siff.net.

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Tags: Visual Art, Film, SIFF, Big Lebowski, Leonardo da Vinci

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