NW New Works Festival Expands Some Horizons
On the Boards presents a new wave of entertainment.
SLIDESHOW: Two dancers “steel themselves against the unstable ebbs and swells of absence” in Part and Parcel’s (choreographer Allie Hankins) new piece “By Guess & By God.” Photos courtesy Tim Summers.
View Slideshow » Illustration:Alice Gosti’s “Spaghetti CO” begins with a simple setting: three performers around a dinner table and a huge bowl of spaghetti. The project’s aim is more complicated: it “seeks to investigate the relationship that individuals and families have with food, and the memories that are attached to certain tastes and smells; for example the capability that food has the ability to make one feel at home or very far from home.”
View Slideshow » Illustration:The Blank Department (Drew Dillhunt, Jed Dunkerley, Jenelle Greninger, Mike Katell and Jason Puccinelli) is an “art rock band that wanted to enlarge the scope of its performing experience beyond playing motley sets of music in clubs and bars.” Their act “Orders of Magnitude” includes original animation, the band’s opinions about the extinction of dinosaurs, and three actors performing silent vignettes.
View Slideshow » Illustration:Paige Barnes’s “War Is Over” was “Inspired by the spirit and physicality of boxing,” Exploring the idea of self-sabotage, the dance looks at the desire to win a three-rounding boxing match…with yourself.
View Slideshow » Illustration:Finger is Julie Baldridge and Jeppa K Hall’s (a.k.a. Queen Shmooquan) musical duo. They perform “haunting madrigals about sex and death,” that recall “old-fashioned murder ballads, folk music, and avant-garde death metal.”
View Slideshow » Illustration:Choreographer Jessica Jobaris’s “You’re the thing that sets me free” centers on “how we hasten healing through the five ‘opiates’ of suffering: endurance, denial, transcendence, revenge and escape.” It promises to include athletic movement, ancient indigenous practices, psycho-therapy, and Celine Dion in a matador’s suit.
“It’s the place where you can see tomorrow’s innovators today.” That’s how On the Boards’ Jessica Massart describes the 28th annual NW New Works Festival. Sure, it’s a little cheesy, but it’s also kind of true: The fest has previously featured cutting-edge organizations and artists like Catherine Cabeen, tEEth, Waxie Moon, and Implied Violence.
“It really serves as a laboratory for Northwest artists and an opportunity for artists to incubate a new idea or foster a sense of original work,” Massart explains.
This year, the two-weekend event will showcase 16 experimental performance pieces from local artists (the word local is used loosely: performers hail from Oregon, Washington, and Canada), in mediums ranging from dance and theater to puppetry and film.
So, when you hear the words “experimental art,” do you imagine a naked lady performing interpretive dance to a soundtrack of atonal flute music? If so, you may wonder what these audiences are getting themselves into.
“The artists are definitely playing with the boundaries of their genres,” Massart admits. “But they’re actually doing this to communicate more clearly to the audience what their ideas are. Audiences can expect to see pieces that are thought-provoking, conversation-starting and fun, in addition to experimental.”
Click through the slideshow above to get acquainted with a few of the groups performing in the festival. (Warning: the last photo is not for sensitive eyes.)
The NW New Works Festival is on Friday through June 19 at On the Boards.
Tags: Theater, Dance, Festivals, On the Boards



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