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Culture Fiend - November 2009

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Books/Talks

A Bookstore’s Dirge

Indie shop Bailey/Coy, now closed, to hold a “wake” this Thursday

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We’ve been mourning Bailey/Coy Books since it shuttered less than two weeks ago, after 26 years in business. Thankfully, the owners of the Capitol Hill institution prefer the “Irish wake” approach to their loss, and will hold one last raucous party at 414 Broadway E this Thursday, December 3, from 6pm.

Expect food, champagne, and entertainment by Fuchsia Foxxx and Dina Martina, plus an auction of some of Bailey/Coy’s most prized possessions, including white boxer shorts signed by David Sedaris and original cartoons in the store’s guestbook by Matt Groening. Tickets are $40.

With Amazon encroaching and Elliott Bay Books likely leaving its Pioneer Square home in January, does this mean the beginning of the end for local indie bookstores? Not quite. Read more here.

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Books/Talks

The End of the Shop Around the Corner?

Not yet — locals say they still buy from indie bookstores

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What a dreary autumn for local independent bookstores. First comes the foreboding announcement that landmark Elliott Bay Book Company will likely move to cheaper digs on Capitol Hill when its Pioneer Square lease is up in January. Then, the owners of Bailey/Coy on Broadway tearfully closed their doors two weeks ago—after 26 years in business. (They’re having one last hurrah this Thursday.)

“The environment has been tough for the past decade,” says Walter Carr, the man who designed, built, and opened Elliott Bay (he sold it in 1999). Though he believes he left the store in “very good hands” and “understands and respects” owner Peter Aaron’s choice to switch locations, there’s more than a hint of melancholy when he talks about how much the original space—with its creaking, hardwood floors and winding walkways—will be missed.

Does this spell the end for the shop around the corner? Not quite. We asked a few locals where they prefer to buy books, and surprisingly, the answers weren’t all “Amazon.”

Brennan

Katie Brennan. Photo by Kaitlin Nunn.


Katie Brennan
26
Server, West Seattle
Shops at: “Elliott Bay. It’s a great store, and it’s easy to get to.”

Harlan Douglas
28
Art director, Belltown
Shops at: “Elliott Bay or Borders. Elliott Bay’s been around for years, and it’s a good bookstore.”

Tim Hall
29
Teacher, Portland, Ore. (formerly of Beacon Hill)
Shops at: “I go the library! It doesn’t cost a thing. If not there, then Amazon—it has books for half the price of those in bookstores.”

Wang

Derek Wang. Photo by Kaitlin Nunn.

Jennifer King
40
Legal assistant, Renton
Shops at: “Half-Price Books.”

Cynthia Pagulayan
29
Office assistant, Fife
Shops at: “Barnes and Noble.”

Derek Wang
36
KUOW journalist, Ballard
Shops at: “I used to shop at Epilogue—it was a great Ballard bookstore, but recently closed. Now I go to University Bookstore because it’s easy to get to from where I live.”

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Ticket Deals

SIFF Cinema Announces Black Friday Discounts

Best part is, you don’t even need to leave the couch.

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If the idea of venturing out Black Friday induces panic, but the thought of missing out on killer deals is just too upsetting, know that SIFF Cinema is looking out for you.

This Friday only, SIFF is reducing prices on passes and ticket packages for 2010. All you have to do is log on to their website, siff.net, where you can score discounts of up to 45%. Think about it: Attend events like January’s 2010 Science Fiction and Fantasy Short Film Festival or catch a flick every Friday night for nearly half the cost. And that overpriced popcorn you always pass up? No need to feel guilty about buying it anymore.

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We’ve got more ticket deals here, and if you do decide to brave the Black Friday crowds, check out this map of all the best deals in town.

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Visual Arts

Man Behind the Legend

SAM curator gives an inside look at Michelangelo Public and Private

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Photo: Courtesy Fondazione Casa Buonarroti

Michelangelo wanted us to believe that he painted the Sistine Chapel with divine inspiration and without sketches. Don’t believe the hype.

In Michelangelo Public and Private (at the Seattle Art Museum now through January 31), 12 of his original drawings—charcoal sketches of arms, legs, torsos, and faces—offer insight into the arduous process of painting the Sistine Chapel and The Last Judgment. They hang framed next to floor-to-ceiling reproductions of the two masterpieces, so you can see how an outline becomes art.

But with proper context, these sketches are amazing pieces of 16th-century art in their own right. Chiyo Ishikawa, deputy director for art and curator of European painting and sculpture at Seattle Art Museum, explained their origin at a recent SAM “In the Studio” event at Hotel 1000. Here are our favorite things we learned:

1. Michelangelo burned most of his sketches but preserved a few, leaving roughly 600 to his family. Ishikawa wasn’t sure why he chose these images in particular, but they’re kept at Casa Buonarotti in Florence and rarely leave his home city.

2. In one instance, several body parts are sketched onto the same piece of paper. This speaks both to the high cost of paper at that time and Michelangelo’s frugality. Though he was from an aristocratic background, his profession was considered “lower class,” and he struggled to reconcile the two.

3. “Drawing was the foundation of everything he did,” Ishikawa says. The rarest sketch is Michelangelo’s first preparatory drawing for The Last Judgment, which details dozens of individual bodies on on small sheet of paper.

4. A few of Michelangelo’s letters to his nephew are also on display. Though his talent is evident in this exhibit, it’s refreshing to know he’s writing mostly about “wine, chocolate, and family.” The best part? Even a grocery list/dinner menu is framed. A man’s gotta eat.

Find out more about Michelangelo Public and Private with a guided cell phone tour within the gallery. Dr Gary Radke discusses the man behind the legend. Now through January 31.

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Interview

On Pointe

A PNB Nutcracker dancer talks ballet bloopers and costume malfunctions.

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Dancer Jessica Anspach as Commedia in PNB’s The Nutcracker.

Add together 270 Nutcracker performances, 240 pairs of ballet slippers, nine different Nutcracker roles, several pounds of makeup and yards of toile, and you have one slightly exhausted PNB corps de ballet dancer Jessika Anspach. The Bellevue native has performed in nearly half of PNB’s 26 Nutcracker seasons (hence the lifetime supply of shoes); she talks to Seattle Met about the Christmas classic from behind the red curtain.

You dance up to 45 performances of the Nutcracker over the span of one month. How do you do it?

We have a blow-up air mattress where people can nap between shows in our dressing room. But seriously, although so many shows in a row can get exhausting, I wouldn’t have it any other way. I like being challenged. And it’s surprising how the small things can be encouraging—even just smiling and making eye contact with your friends onstage during the “Waltz of the Flowers” is motivation.

Any Nutcracker blooper moments?

The only thing I can think of was the time I collided with one of the canvas wings that divide the stage, fell over it and ripped it during the dance of the snowflakes on Christmas Eve. I still made it back on stage to finish the rest of the dance. The wing, however, didn’t bounce back so quickly.

Ever had a costume malfunction?

The pants the Moors wear in Act II are kind of like MC Hammer pants—they’re puffy on the top and tight at the ankle. My partner has stepped on them and ripped them before.

Do you guys ever pull pranks while rehearsing or performing?

They’re generally reserved for the Christmas Eve performance. One year a dancer dressed up as Waldo from Where’s Waldo and popped in throughout the show. Another time Pasha’s attendants in Act II pulled out newspaper and laid it in the Peacock’s cage while she danced.

What is the best part about the seasonal PNB Nutcracker performances?

Dancing Nutcracker makes it really feel like Christmas in Seattle, where we don’t typically—I don’t count last year as typical—get much snow or wintery wonderland scenes. And despite the fact that the snow falling at the end of Act I is only paper confetti, the conditions can still be just as slippery. Most of the time we scrape up the bottoms of our pointe shoes so they have a little more traction during that scene.

And as for me, I get to dance in my own home city—there’s nowhere else I’d want to be.

You can find Jessika pirouetting across the McCaw stage this winter season, alternating performances as the Ballerina Doll and Frau Stahlbaum, Clara’s mother, in Act I, and Commedia in Act II. See if you can also catch her in the entourage of snowflake and flower waltzers, employing snow-confetti avoidance tactics. PNB’s Nutcracker opens Nov 27.

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Thanksgiving Weekend

This Is a Scrooge-Free Zone

Our picks for holiday-themed outings over the long weekend.

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The snow scene from Pacific Northwest Ballet’s Stowell/Sendak Nutcracker. Photo by Angela Sterling.

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The snow scene from Pacific Northwest Ballet’s Stowell/Sendak Nutcracker. Photo by Angela Sterling.

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More ballerinas dancing in the snow in PNB’s Nutcracker. Photo by Angela Sterling.

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The Chinese Tiger scene from PNB’s Nutcracker. Photo by Angela Sterling.

Warning: The “season” has officially begun. Get your holidays off to the right start with PNB’s Nutcracker, Seattle’s tree lighting and holiday parade, and more.

Nutcracker
Pacific Northwest Ballet reprises this holiday favorite, now in its 26th season. It features the usual (choreography by PNB founding artistic director Kent Stowell), the unusual (dancing rats), and the sublime (sets and costumes by Where the Wild Things Are author Maurice Sendak). Nov 27–Dec 30

A Christmas Carol
So technically this isn’t a Scrooge-free zone. In fact, there are two Scrooges: Kurt Beattie and R. Hamilton Wright (recently a formidable Stephen Douglas in Intiman Theatre’s Abe Lincoln in Illinois) will take turns as the crotchety miser through the play’s month-long run at ACT Theatre. Nov 27–Dec 27

White Christmas
After last winter, we’re all a little weary of snow, but Irving Berlin’s cheerful musical based on the 1954 film starring Bing Crosby will leave any theatergoer wishing for a white yuletide. 5th Avenue Theatre, Nov 28–Dec 30

Tree-Lighting Celebration and Holiday Parade
Brave the crowds this Friday for the 5pm tree lighting at Westlake Center, followed by fireworks. The annual Macy’s Holiday Parade starts a little bit earlier (8:45am) and winds from Seventh and Pine to Fifth, then down Fifth to University, then up Fourth to Macy’s. Bring the coffee. Nov 27

Straight No Chaser
Nothing says “Happy Holidays” like 10 overgrown college guys singing a cappella. But if they’re good enough for Atlantic Records, they’re good enough for us. Hear Christmas classics like “Santa Claus Is Coming to Town” and “We Three Kings” performed by former Indiana University group Straight No Chaser. Benaroya Hall, Nov 27

Magic in the Market
Pike Place Market becomes a winter wonderland of sorts, with Victorian-costumed Dickens Carolers from noon to 4, Santa stationed under the Market clock at noon, and flying fish all day long. (Those guys are always working.) Nov 28

Santa Baby
Now in its 30th season, the 300-strong Seattle Men’s Chorus sings Christmas tunes with style and pays tribute to the holiday TV special. Tony Award–winner Betty Buckley joins the first two performances. Nov 28–Dec 20

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The Weekend Starts…Now.

Our best entertainment bets Nov 24-29.

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She looks so innocent. Kelly Clarkson plays WaMu.

What are you thankful for this year?

I’ll start: I’m thankful that my boss is letting me leave today to visit family in New Jersey for Thanksgiving. Means my weekend is starting pretty early, so there’s no reason why yours shouldn’t, too.

Looking for caroling, tree lighting, and other holiday outings? Click here.

For something a little more secular…

MUSIC/CONCERTS:

Tickets are still available for tonight’s Kelly Clarkson show at WaMu Theater. There’s something about the American idol’s songs that make us want to rock hard—and hate men. Wonder if her new album, All I Ever Wanted, will have the same effect.

Catch roots-rock band The Moondoggies with folk songstress Jesse Sykes and the Sweet Hereafter in this all-local bill at Showbox at the Market on Sat, Nov 28.

Rolling Stone considers him “One of the 100 Greatest Singers of All Time.” We just like him for his song titles (especially “If You Don’t Like Me, Don’t Look at Me”). Former Smiths lead singer Morrissey brings a healthy dose of snark and talent to the Paramount on Sun, Nov 29.

JAZZ:

Back for their annual Thanksgiving show at Jazz Alley is the Taj Mahal Trio, featuring two-time Grammy winner Taj Mahal, Bill Rich on bass, and Kester Smith on drums. Before you go, check out TMT’s newest album, Maestro, which includes guest appearances by Ben Harper, Jack Johnson, Angelique Kidjo, Los Lobos, and Ziggy Marley.

FAMILY:

If you take your children to the “thea-tah,” they might ask for season tickets. If they ask for season tickets, they might ask for front-row, center. If they ask for front-row center, they might…oh, forget it. Seattle Children’s Theatre’s production of If You Give a Mouse a Cookie closes Nov 29.

SPORTS:

What better way to work off that third dessert you ate on Thursday? The Amica Insurance Seattle Marathon 2009 kicks off Sunday morning—you have until Saturday to register for the marathon and half-marathon, and until Friday to sign up for the 5k.

COMEDY:

After a month of grueling wise-cracking, the Seattle International Stand-Up Comedy Competition wraps up with a week of final performances and the “Final-Final” on Nov 29 at the Moore. Only five comedians remain from the original 32, including two locals: Rodger Lizaola and Travis Simmons. We’ve already blogged about Rodger, so to be fair, here’s a sneak peek at Travis.

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Update: Billy Joel/Elton John concerts RESCHEDULED

New dates at Key Arena announced

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UPDATE. Good things come to those who wait. The Elton John-Billy Joel concerts originally scheduled for November 4 & 7 at Key Arena have been rescheduled for Wednesday, February 3 and Saturday, February 6.

The Nov. 4 ticket is valid for Feb. 3. The Nov. 7 ticket is valid for Feb. 6. Got it?

Tickets are still on sale at Ticketmaster or by calling 800-745-3000. If you can’t go or decided you don’t want to catch Elton John’s flu, refunds are available.

[PREVIOUS POST]

NEWS. Elton John has the flu. I repeat, Elton John has the flu — and possibly an E. coli bacterial infection, according to concert promoters Live Nation.

The Elton John/Billy Joel Face 2 Face concerts scheduled for Wednesday, November 4, and Saturday, November 7, at Key Arena have been postponed until a later date, when the Rocket Man’s doctor gives him the go-ahead to perform.

A note from Live Nation: “Hold on to your tickets until more information is available regarding the proposed rescheduled engagement.” We’ll keep you posted.

Until then, seek solace in some classic “Crocodile Rock.”

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Cheap tickets

Deal of the Week: Broadway Shows for $25

Get discounted tickets to Chicago, A Christmas Carol, and more.

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Tao: The Martial Art of Drumming.

Want to see A Christmas Carol: The Musical for $13? Chicago for $25? We thought you would. Discount tickets at the Paramount and Moore theaters are available this weekend only, from 6am, November 27, through 10pm, November 30. (In savvy shopper lingo, that’s Black Friday through Cyber Monday.)

Tickets are only available online here and the promotion code is GOBBLE. Since Seattle Met is ever so helpful, we culled the list for our top choices. Don’t want you to get stuck going to see Paula Poundstone thinking it’s some kind of one-woman Broadway show.

MET PICKS:

Bishop Blanchet High School presents A Christmas Carol: The Musical
Dec 19 & 20, 2pm and 7pm @ the Moore
Was $18, now $13.

Tao: The Martial Art of Drumming
Jan 29, 8pm @ the Moore
Was $38, now $33.

Joni Mitchell’s The Fiddle and The Drum performed by Alberta Ballet
Feb 23, 7:30pm @ the Paramount
Two for one ($47 total).

Suzanne Vega
Feb 25, 8pm @ the Moore
Was $35, now $30.

Chicago
Mar 2–7, times vary @ the Paramount
$25 ticket (valid for price level 2 and 3 only, not valid for Saturday evening)

And more…

Global Dance Party
Dec 4, 7:30pm @ the Moore
Was $10, now $5.

Xanadu
Jan 19–24, times vary @ the Paramount
$25 ticket (valid for price level 2 and 3 only, not valid for Saturday evening)

Paula Poundstone
Jan 30, 8pm @ the Moore
Was $35, now $30.

Annie
Feb 12–15, times vary @ the Paramount
$10 discount (in price level 2 and 3).

David Crowe’s Laugh Lover’s Ball
Feb 14, 4pm & 7:30pm @ the Moore
Was $30, now $25.

Spectrum Dance Theater
Feb 18–20, 8pm @ the Moore
Was $25, now $20.

Princess Katie and Racer Steve Live
Feb 27, 11am @ the Moore
Was $15, now $10.

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Happy Hour Outing

Night on the Town: Fonte + Showbox

There’s more to do on Black Friday than go shopping

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The Lonely Forest.

After plowing through some serious Black Friday sales downtown, unwind with your pals and glory in your spoils with happy hour at Fonte Coffee Roaster and Wine Bar, across from the Seattle Art Museum at 1st Avenue and University Street.

With Fonte’s helpful, color-coded pairing menu, you won’t have to overburden yourself after — let’s face it — an already high-pressure day. Plus, $3 plates and vino should ease your guilty consumer-conscience. (See what our Lifestyle guru Jessica Voelker says about their merry hour).

Once you’re feeling rejuvenated, take a short stroll up 1st to the Showbox for a night of all-local talent. Anacortes-bred indie rockers the Lonely Forest and minimalist band Telekinesis co-headline, with young “experimental” rockers the Globes opening. We’d go just to see Lonely Forest, whose sophomore album We Sing the Body Electric! (April 2009) delivers party anthems and smart lyrics. They rock hard, and we want in.

Tickets are available here.

Going out tonight? Try our Happy Hour Outing with drinks at Fonte and a Built to Spill show at Showbox.

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MLS Cup Fever

Sounders fans still know how to party, even if their team isn’t in the big game

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Wonder if he had that mohawk at work on Monday.

So what if the Sounders didn’t make it to the MLS Cup this year? They’re just getting started! Consider this: In their first season, they won the US Open Cup. Striker Fredy Montero won Newcomer of the Year.

And thanks to our raving, scarf-wearing fans, Sounders FC is among the top 50 best supported clubs in the world.

Our unleashed soccer fervor has granted Seattle the MLS Cup championship game, where David Beckham, MLS MVP Landon Donovan, and Western Conference champs Los Angeles Galaxy will battle Eastern Conference winners Real Salt Lake, featuring the dreaded Kyle Beckerman, on Sunday, Nov 22, 5:30pm at Qwest Field.

Here’s what you don’t want to miss:

Nov 21, 3-6pm. Prost Amerika Soccer hosts the MLS Cup Final/Sounders End of Season Party at the Baltic Room. NBC’s America’s Got Talent comedian Manuela Horn yodels in the evening’s entertainment, while Fox Soccer Report anchor Jeremy St. Louis, Sandra Hunt of FIFA, and Sounders FC broadcaster Pete Fewing guest as panel members for a quick Q&A chat. $13–$20, reservation required.

Nov 21, 6-10pm. Join 2009 MLF Keeper of the Year finalist, Sounders’ own Kasey Keller, during the Pioneer Square pub crawl Saturday night. No bar brawls please – something tells me the man has uncannily quick reflexes. The route winds through bars around Qwest Field: Fado, Fuel, Elysian Fields, Swannies, and F.X. McRory’s. For the pub crawl map, click here.

Check out the full list of 2009 Supporters Summit Seattle weekend events here.

TICKETS Need last-minute seats? As of Thursday, there were still $20 outer-rim seats left (call for tickets: 206-682-2800). Or, if you’d actually like to pick out David Beckham without binoculars, try the only Sounders FC-approved ticket exchange site..

The game will be broadcast on ESPN.

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Celebrity Interview

Interview, Part 2: Broken Lizard

Asking comedians to be funny at 9am

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Beerfest

Clockwise, from top: Kevin, Paul, Steve, Erik and Jay put their game faces on for Beerfest.

In part 2 of our interview with Broken Lizard members Kevin Heffernan and Jay Chandrasekhar — who both write and star in movies Super Troopers, Beerfest and the upcoming Slammin’ Salmon — we got a preview of what their improv skills might be like at the Moore on Friday. Cut them some slack: it was 9am.
(Read part 1 here.)

I actually have a little game for you guys.

KH: Uh oh.
JC: Uh oh.

It’s nothing too threatening. I have a list of your movies, and I want you to describe each in five words or less. You can take turns.

KH: You can go first, Jay.
JC: Ha, hah!

I’ll go through the list. First: Super Troopers.

JC: Okay. Ummm, errrr…
KH: Okay, I can do this one. You want me to do this one?
JC: Yeah.
KH: Wait, it’s just like a description, right? “Bored cops having fun.”
JC: Oh, that’s how you wanted it?

It can be silly, it can be straight.

KH: Mine was straight. Now you can be silly, Jay.

Okay: Club Dread.

JC: Um, let’s see. Just trying to make sure it’s five words…

You can go a little over. If it’s six, it’s okay.

JC: Like a haiku? [Laughs.] “Blood, guts and tons of laughs.”

Beerfest.

JC: “Drink, drink and be merry.”
[Kevin laughs.]

Puddle Cruiser.

[Silence.]
KH: What should I say here?
JC: I’m working on it. Trying to be funny.

Do you want to skip that one, go to another one?

[Both laugh.] KH: Okay.

Dukes of Hazzard.

JC: “Big cars, thin plot, short shorts.”

Haha, that’s perfect. That should have been your tagline.

[Laughing.]

Slammin’ Salmon.

KH: Let’s see. “Glengarry Glen Ross meets fish restaurant.”

How about your new film, Mustache Riders.

JC: We’re not positive we’re going to make that one.
KH: That’s more than five words. “Maybe someday, we’ll make it.”
[Laughing.]

What’s the update on that one?

JC: We just need to get the script into shape. I’ve got somebody who probably wants to put the money up. [The movie] is with Willie Nelson and Johnny Knoxville, and we’re going to cast two other people. But I feel like we need to do Puddle Cruiser still, don’t you Kev?

Oops, even I forgot.

JC: “Inappropriately named college movie.”
KH: I like that. I was going to say something like – this is too many words – “Not sure what we’re doing, but came out pretty good!”

Way too many words. So what’s the next big project?

KH: Right now we’re writing a couple movies for Universal. Next in the hopper is a film where we play college professors, and it’s kind of a twist on Animal House, where the college professors are the good guys, and the student pranksters are the bad guys, and the professors get into a little war with these guys. It’s called Rogue Scholars. And we’re also working on Super Troopers 2.

Oh yeah? Will it be out anytime soon?

JC: We have a number of people who’ve asked us if they can finance it; so frankly, between that and Rogue Scholars, whichever.
KH: We’re just going to keep on finding our financing and making movies, either with or without the studio. Although FOX owns Super Troopers 2, so I guess it’s either with them or not at all!

Which of the films have you done independently?

JC: Three. Puddle Cruiser, Super Troopers and now Slammin’ Salmon.

Can we get a preview of Super Troopers 2?

KH: There are a lot of different rumors about what it’s going to be, but it’s going to pick up where we left off.

Well, I’m looking forward to it – and the show on Friday. I promise not to yell anything inappropriate.

JC: You could, you can pick your favorite Super Troopers line.

KH: We are very inappropriate on stage, so we’ll take care of that part for you. It’s a fairly naughty show. [Laughs.]

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Film Review: New Moon

Twilight sequel has less Edward, more polish

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Newmoon

Love triangle, from left: Edward (Pattinson), Bella (Stewart), and Jacob (Lautner).

REVIEW: NEW MOON
3 out of 5 stars

You would have thought the president was at Cinerama with all the security in place. No cell phones on the premises. Metal detectors at the stairs. “Guards with night-vision goggles who would remove anyone filming the movie.”

Though anyone with a pulse has a basic grasp of the Twilight series by now, here’s what you need to know for sequel New Moon: Star-crossed lovers Bella (Kristen Stewart) and kindly vampire Edward (Robert Pattinson) are madly in love and show it with lots of furtive hand-holding and kissing.

Then Edward leaves Bella, sending her into a high school-heartbreak tailspin that in the book goes on for hundreds of whiny pages, but is made quick work of in the film. Three camera rotations around a depressed Bella seated by the window, where she watches for any sign of Edward’s return, and three months have passed. Done. Nice. Any “woe-is-me” comes sparingly, usually as a brief, narrated email from Bella to Edward’s sister Alice (charming Ashley Greene). Our heroine ultimately finds solace in friend Jacob (a chiseled Taylor Lautner who makes the men in 300 look pudgy), and then finds out he and his buddies are werewolves. Werewolves and vampires are mortal enemies. Crisis ensues.

While Twilight, directed by Catherine Hardwicke, pulsated with frenetic teen-vampire lust, New Moon is more polished, more professional, more enjoyable: like going from an indie music video to a studio production. In the hands of director Chris Weitz, New Moon has fewer hokey lines and unintentionally funny scenes. The killer soundtrack includes tracks by Thom Yorke, Bon Iver, and Death Cab for Cutie. Solid special effects allow a shirtless man-child to “phase” into a werewolf on the run. And the much-improved script allows actors like Stewart and Billy Burke (playing Bella’s father and Forks Police Chief Charlie Swan) to flourish.

Pattinson is absent throughout most of the movie, and to be honest, I didn’t miss him. When he returned, the cool, nonchalant emo persona he concocted for the first film simply came off flat, especially when he shared the screen with Dakota Fanning. She shows more talent in one death-stare as evil Volturi vampire Jane than Pattinson does in a dozen seductive glances.

New Moon opens on Friday, November 20. Read our interview with two of the film’s vampires here.

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Met Picks

Our best entertainment bets Nov 19-22

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Racer_500

Danny Lyon, Racer, Schereville, Indiana, 1965, Silver Gelatin Print, 11″ × 14″

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Danny Lyon, Racer, Schereville, Indiana, 1965, Silver Gelatin Print, 11″ × 14″

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Danny Lyon, Police Car, 1963, Silver Gelatin Print
11″ × 14″

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Danny Lyon, Llanito, New Mexico, 1970, Silver Gelatin Print, 11″ × 14″

VISUAL ARTS: Documentary photographer Danny Lyon started a revolution with his unflinching images of bikers, convicts, and civil rights workers in the 1960s and ‘70s. The Guggenheim fellow’s work has been part of permanent collections in major contemporary art museums across the country, from MOMA and the Met to San Francisco’s Museum of Modern Art and Seattle’s Henry Arts. Now, ee some of his best images on display at the James Harris Gallery, from Thursday through December 19.

FILM: Whether you’re a teenage girl, know a teenage girl, or occasionally watch TV, you’ll know that the second film in the Twilight series, New Moon, comes out on Friday. (Read our review here tomorrow.) We admittedly got caught in the clutches of Twilight mania and interviewed not one, but two(!) vampires from NM. Cue the high-pitched squealing…now.

Speaking of mania: Relive 1964, when the Beatles made girls swoon with their bowl haircuts, British accents, and cheeky sense of humor. Mock-umentary A Hard Day’s Night screens at Egyptian Theatre Saturday and Sunday.

Northwest Film Forum continues its showcase of landmark films from 1969 with The Passion of Anna, the heady Ingmar Bergman film that explores an emotionally strained love quadrangle. Not rectangle. Not square. Quadrangle.

COMEDY: Broken Lizard, aka the guys from Super Troopers and Beerfest, bring their witty, oft-raunchy brand of sketch and stand-up comedy to the Moore Theatre on Friday. Read our interview with Farva and Ramathorn here.

THEATER: Seattle Rep Theatre’s Equivocation just opened last night, hot off a critically acclaimed run at the Oregon Shakespeare Festival. Even better: The original cast is in tact in this show about the Bard (played by Boston Legal‘s Anthony Heald) struggling to do King James’ bidding.

Listen to director Bill Cain talk about the origins of the play:

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Met Picks: Last Chance!

Coming — and going — this weekend: Cafe Nordo, Wolfmother, and more

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LAST CHANCE to enjoy Cafe Nordo at Theo Chocolate in Fremont. Find out what our Food editor Kathryn Robinson had to say about this traveling chef and his merry team of choreographed servers.

CLASSICAL MUSIC: When handsome Norwegians lead the Seattle Symphony, it’s music to our ears. Arild Remmereit joins the list of conductors possibly vying to fill the shoes of maestro Gerard Schwarz when his contract expires, stepping in to lead the Seattle Symphony in Tchaikovsky’s sweeping Pathétique, the composer’s final symphony. Through Sunday.

CONCERTS: We went to a Killers concert in Boston a few months ago, and it seemed like more people came to see opening act Wolfmother than the headliners. The Australian rock band owns center stage this Friday at the Paramount.

Boise indie rockers Built to Spill come to Showbox at the Market behind their much-anticipated return, There Is No Enemy.

And just in time for the holiday season: Trans-Siberian Orchestra comes to Key Arena with its ode to Christmas music, classical, rock opera, and a hint of hair metal. Get in this spirit with this video featuring TSO’s “Wizard in Winter” synched with schizophrenic Christmas lights.

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Celebrity Interview

Interview: Broken Lizard

Comedy group behind Super Troopers brings the “shenanigans” to Seattle

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Beerfest

Clockwise, from top: Kevin, Paul, Steve, Erik and Jay put their game faces on for Beerfest.

They go by Broken Lizard, but you might know them better as the prank-pulling cops from 2002 cult hit Super Troopers. Or the guys who chugged beer out of a boot for Beerfest. The Colgate University-bred comedy troupe — Jay Chandrasekhar, Paul Soter, Steve Lemme, Erik Stolhanske, and Kevin Heffernan — bring their witty, oft-raunchy brand of stand-up and sketch comedy to the Moore Theatre on Friday behind the release of their new movie, Slammin’ Salmon, out in select cities December 11.

Before starting their “Pacific Northwest Tour,” as Heffernan likes to call it, he and Chandrasekhar conference-called Seattle Met about their wildest shows, “positive hecklers,” and what kind of craziness to expect at the Moore.

Have you ever been to Seattle before?

KH: I’ve been a bunch of times. Actually, my sister lived there for a long time… she worked for the Seattle Times. Does the Seattle Times exist, or did it fold?

It’s still going. The Post-Intelligencer folded.

KH: Gotcha. So she was up there for a couple years. We actually started our Super Troopers tour there. It was our first date.

How was the local audience? We’re kind of notorious for being less than friendly.

KH: It was awesome. It was kind of weird, because back then no one had seen anything or knew who we were, so we had to go out and drum up an audience. So we were at the University of Washington – is the University of Washington there?

Haha, yes. I’m sorry, I didn’t mean to laugh. [Jay Chandrasekhar joins phone call.]

KH: And we handed out postcards trying to get an audience… We flew up there and FOX had gotten us this rock ’n’ roll tour bus, like, it was the Allman Brothers’ old bus. They put our pictures on the side of it.

JC: Yeah, that was fun – it was a great crowd, which kind of shocked us because no one knew who we were.

What’s your show going to be like this time around?

KH: We try to do a lot of different things. We do some sketches, and each guy also does stand-up – like, 10 minutes of stand-up. And we’ll do some audience participation — people come up on stage and get into a Super Troopers scene of a Beerfest scene. We also do songs, we show a clip from the new movie, so there are a lot of different kinds of entertainment.

You guys started out as a comedy group at Colgate. With movies like Beerfest, is your audience still mostly college kids? Or has it grown since?

JC: It’s grown. What happened was, all the people who saw Super Troopers when they were in college have grown up and are now eight years out of school, and they’ve shown it to their dads and their uncles — and sometimes their mothers. So the crowd is stretched older now. Frankly, we’ve found that if the crowd is at least 25, that’s when our best audiences are. College crowds, they don’t get all the references, and they’re also no longer allowed to drink openly, so it sort of reduces their wildness. You get a crowd that’s a little older, and it’s wild.

What was the wildest show you’ve been a part of?

JC: In a good way, or a bad way?

Either, both.

KH: We had some really great shows so far on this stretch – Milwaukee was great, where it was just a really rowdy crowd. Like Jay said, usually if there’s a bar in the back of the theater, it tends to feed the audience pretty well [laughs].

JC: Several people wanted to be part of the show and part of every joke, so they would just yell, and yell, and yell. I mean, you literally have situations where people are like, ‘Shut the f*** up!’ and then they’re quiet for a few minutes, and then they want to yell a little more.

KH: It’s a weird kind of heckling that we get. Usually, a comic will do their show, and if they get heckled, it’s by some abrasive guy. With us, our fans just want to yell out our lines to us, so it’s like a positive heckling.

What do they yell the most? What movie do they quote?

KH: It’s between Beerfest and Super Troopers, I think.
JC: It depends on what party they’re in. Democrats yell out Super Troopers lines and Republicans yell out Beerfest lines.

[All laugh.]

You’ll probably get more Super Troopers lines up here then. Can you tell me about your new movie, Slammin’ Salmon?

KH: It’s kind of our return [to independent films]. We made it during the writer’s strike last year. Basically, we play waiters in an Italian [sic – seafood] restaurant owned by this crazy former heavyweight champion of the world, like a Mike Tyson type of guy [played by Michael Clarke Duncan]. He’s our crazy boss, and we find out in the course of the night that he owes a bunch of money to the mob, so he starts this contest in the restaurant. He tells the waiters that he’s going to give the top-selling waiter $10,000 and the lowest-selling waiter he’s going to kick the crap out of. It’s a very basic Glengarry Glen Ross kind of comic plot…. [The idea] was like, what if you worked in a restaurant, and Mike Tyson was your boss? And you never knew if he was going to hug you, or beat the crap out of you? And it’s just this bipolar personality, so it became very easy to write. We kind of wrote it in Mike Tyson’s higher voice [laughs] and it created this great character.

We’re not done! We got Jay and Kevin to play an improv game with us, and talk about their latest projects (hint: Super Troopers 2 is on the horizon). Read part two of our interview here.

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Tight-Wallet Tuesdays

Deal of the Week: Give Seattle

Listen to 30+ tracks from local bands — plus, your money goes to charity

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Starting today, a compilation of 30 new songs by some of Seattle’s latest and greatest bands — including the Dutchess and the Duke, Throw Me the Statue, and Death Cab for Cutie’s Ben Gibbard — will be available to download for only $7.

Even better? All the proceeds go to charity.

Welcome to Give Seattle 2009, a benefit conceived of and organized by Caffe Vita to raise money for Arts Corps, Seattle’s largest nonprofit arts educator, and area food banks.

Consider the compilation a Seattle music sampler — if you’re new to the area, or just don’t follow local bands as religiously as The Stranger, it’s a pretty sick primer to the city’s current music scene. We’re going to listen to the tracks available now (some artists are still recording, with about 40 songs total set to be finished and online by mid-December) and will let you know what we think over the next day or two.

But honestly, what’s not to like? I can barely buy lunch downtown for $7, and this investment helps feed a lot more people.

Here’s the current track list, with artists still in the studios listed below:

Arthur and Yu, “Magic Mountain”
The Blakes, “Parking Lot”
The Cave Singers, “Growing Palm”
Champagne Champagne feat. Fences, “Victim of the Modern Age”
Common Market, “The Picture of My DeLorean Gray”
D. Black, “On the Go”
Fatal Lucciauno, “Gangsta”
Fences, “Sadie”
+ Fleet Foxes, “Mykonos”
Fresh Espresso, “Gettin Money”
Gabriel Mintz, “Safeway”
Grand Archives, “Wake Up”
Head Like a Kite, “Director’s Cut”
Hey Marseilles, “From a Terrace”
+ J. Tillman, “Earthly Bodies”
Joshua Morrison, “Mammoth Cave”
Kinski, “Whatever Happened to Madeleine Stowe”
The Lonely Forest, “I Don’t Wanna Live There”
Le Loup, “Forgive Me”
Mad Rad, “Love in a Strange World”
The Maldives, “In the End”
Moondoggies, “Side of the Road”
Mt. St. Helens Vietnam Band, “Bitter Cold”
Pearly Gate Music, “Big Escape”
Pica Beats, “Durian Shakes”
The Saturday Knights, “Go!”
Sera Cahoone, “Love’s Gonna Live Here”
Talbot Tagora, “Ichthus Hop”
Tea Cozies, “Corner Store Girls”
+ Visqueen, “Hand Me Down”
[+ = not a new release]

In the studio: Throw Me the Statue, The Dutchess and the Duke, Ben Gibbard, David Bazan, The Long Winters, Unnatural Helpers. (You’ll be notified by email when these tracks are available for download.)

To tide you over: Fleet Foxes’ video for “Mykonos”

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Don’t Miss Mondays: Artifacts of Consequence

It’s the apocalypse (live!) at Little Theatre

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Artifacts of Consequence

“America is ruined. Our infrastructure has collapsed. In Elliott Bay, a select group of people take refuge in an underwater bunker. Their task: Perpetuate America’s Legacy – Protect the Colony.”

If tasked with preserving American culture, what would you save? In the Satori Group’s stage production of Ashlin Halfnight’s Artifacts of Consequence, the audience is asked to vote to retain — or flush — remnants of a post-apocalyptic world. Would you keep pop icons, or masterpieces? A first-edition copy of Catcher in the Rye, or a Converse sneaker? (The decisions presumably get harder.)

The premise isn’t quite new (in Pixar’s Wall-E, the “spork” survives), but the cast of this 90-minute play has been getting rave reviews, and we’re not one to scoff at audience participation.

Nov 5-Nov 22; Thu-Mon, 8pm; Sun, 2pm. The Little Theatre, 608 19th Ave E.

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Review: Abe Lincoln in Illinois

Show’s run at Intiman Theatre extended through THURSDAY.

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Abe Lincoln was an honest man. Whip smart. Unflaggingly courteous. Lazy, shiftless, suicidal…

Wait, what? In Intiman Theatre’s staging of Abe Lincoln in Illinois E. Sherwood’s 1939 Pulitzer Prize-winning play—we are treated to a thoughtful and thoroughly entertaining character study of our 16th president, a man so burdened by internal struggles, the Civil War looked tame in comparison.

The play chronicles 20 years of Honest Abe’s life, from good-natured, gun-toting 24-year-old bumpkin in New Salem, Illinois, to reluctant leader and newly elected president of the United States. Sure, the lanky Lincoln we all know and love is there, infused with a sweet sincerity by Erik Lochtefeld. But what’s fascinating is watching Lochtefeld’s very convincing performance as a troubled Lincoln: one who is debt-ridden, plagued by inertia and self-doubt, and nearly commits suicide when the young love of his life, bar maid Ann Rutledge (Angela DiMarco), dies. Thankfully, the script is bolstered by levity – even some of the president’s own jokes, discovered by Sherwood, that showcase Lincoln’s occasionally not-so-courteous sense of humor.

A coterie of friends surrounds Lincoln, urging him to realize his destiny; apparently, it takes a village to make a president. Special mention goes to Reginald André Jackson, who plays Ninian Edwards, brother-in-law of Mary Todd and son of the governor of Illinois. Though the decision to cast the African-American actor as a white politician is confusing initially, Jackson plays the role with such dexterity he renders the point moot. Also impressive is R. Hamilton Wright’s eloquent turn as Stephen Douglas; the 1858 Lincoln-Douglas debate is a highlight of the play, both for its acting and direction.

Lincoln’s adversarial relationship with Mary Todd (Mary Jane Gibson)* is an interesting subplot to the political history unfolding. Costuming by Melanie Taylor Burgess greatly enhances Gibson’s portrayal of an aggressively ambitious, nagging wife; Gibson’s giant hoop skirt seems to enter a room before she does. (See what we’re talking about in the YouTube clip below.)

Whether you’re a history buff or a fan of a good character drama, Abe Lincoln in Illinois won’t disappoint. The show’s run has been extended, with performances on Tuesday, Wednesday, and Thursday nights at 7:30.

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Interview with Two Vampires

New Twilight cast members come to Seattle

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From left: Twilight stars Charlie Bewley (Demetri), Ashley Greene (Alice), and Daniel Cudmore (Felix).

(EXTENDED INTERVIEW)

The vampires like my outfit. The interview is only 30 seconds old, and their powers of seduction are already in play. Part of the allure of the Twilight series – now a film franchise, with highly anticipated sequel New Moon due out November 20 – is that the vampires created by author Stephanie Meyer are the Casanovas of the undead. They’re charming, elegant, even thoughtful: they date teenage girls without killing them. Couple that with a cast of hot Hollywood teens and twentysomethings putting faces to names, and it’s no wonder Twilight is a franchise (one that’s also putting tiny Forks, Wash. on the map. Read more here.)

In the latest installment, a group of actual blood-sucking vampires – the Volturi – threaten the lives of heroes Edward and Bella (paparazzi-fodder Robert Pattinson and Kristen Stewart). But beware: Even the evil ones are charming, according to 28-year-old Daniel Cudmore and “Don’t ask my age” Charlie Bewley, who were in Seattle last Thursday to talk about their roles as Volturi guards Felix and Demetri, and their wild ride on the Twilight machine.

Tell me about your characters.

DC: Felix is part of the Volturi – he’s one of the guards. He works with Demetri – they’re a team – and they’re sent out to take in vampires who have broken the rules. And this teamwork has worked like clockwork for hundreds and hundreds of years. He’s just viciously strong, and primal, and aggressive, and obviously confident because he’s never found a foe he hasn’t been able to tear apart.

CB: I see Demetri as the most elite vampire in the world, as he’s essentially protecting the most elite coven [vampire family]. I played [him] as this very nonchalant, arrogant vampire, charming – very, very charming, according to the books. I uphold the good cop to Felix’s bad cop. We revel and play.

How do you prepare to play a monster? I would imagine Method acting is out.

DC: It was very much Method acting. I haven’t slept.
CB: I went around bullying kids.
[Laughs.]

DC: I kind of took it from an emotional place. If I was this character, where would I kind of be emotionally…

Do vampires, um, have emotions?

DC: Yeah, I think we do. In the books, it says he’s very mean, and I interpret that as angry about something. What is he angry about? I feel like he has this special power of being strong, but he’s not a tracker, and he doesn’t have the ability to do mind control, or read thoughts [like newcomers Alec and Jane]. … There’s jealousy and anger, and you kind of build from that.

CB: I just didn’t see Demetri as a monster, really, and I think that’s why this set of books is so accessible to a contemporary, young audience. … [Vampires] have been very subculture…but these are the most lifelike re-creation or interpretation of vampires going so far. They take away the fangs, but they have these eyes – they’re a portal to your soul. You have the Cullens [Edward’s family] who are very bright-eyed, yellow, friendly vampires, while we’re dangerous, evil characters [with red eyes].

Speaking of the Cullens: The actors playing those characters have been through this media onslaught once together already. Was it hard breaking into the crowd? Like being a freshman at Vampire College?

CB: There’s no doubt that they’re a tight group and they all get along, this very celebrated batch of Hollywood kids. Walking into that was difficult — it’s human nature for it to be slightly cliquey…

DC: But at the same time, we’re not in high school, right? This is a job and everyone understands that they have a job to do. … They were very receptive, and just enjoyed bringing new people into this whole Twilight beast.

Have you gotten caught in the hype surrounding Twilight yet?

CB: It’s more so the thirst for information from new characters. I went to London, where I had four days free. I called up my publicist and the next day I had a car, a hotel room for the week, and probably 2 dozen interviews lined up. People just want to know about this thing, and they want to feel like they’re on the inside; the demand for this stuff is huge right now and it’s only going to get bigger.

DC: I’m thrilled. I’m just ready to ride this whole wave.

CB: Because right now we’re in the eye of the storm.

Have to ask: Team Edward or Team Jacob?

CB: Team Demetri!
DC: Team Felix.

Saw that one coming.

New Moon opens Friday, November 20. Click here for our review. Find Charlie, Daniel, Peter Facinelli (Dr. Carlisle Cullen) and a pack of werewolves at Creation Entertainment’s Official Twilight Convention from January 15-17, 2010, at the Westin Seattle. Tickets are available at the door.

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Met Picks: Visual Arts

Western Bridge gallery feeds your mind…and your stomach

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The Parenthesis group exhibit, at Western Bridge September 26–December 19, collects videos and photography that focus on families.

View Slideshow » Illustration:

The Parenthesis group exhibit, at Western Bridge September 26–December 19, collects videos and photography that focus on families.

A mother and her grown son stand side by side in the center of Western Bridge gallery, carefully taking turns tending to pots of black beans and rice, plantains in hot oil, and ground beef and potatoes on a skillet. The scent of Cuban comfort food wafts around the brightly lit, renovated warehouse; it’s such a stark contrast to the dreary industrial landscape just outside on 4th Avenue South, you lose yourself for a brief, happy moment as you tuck into your homemade meal.

I imagine that’s what the team at Western Bridge had in mind when they arranged this bit of “performance art” last night by Bert and Reneida Rodriguez. It’s an endearing scene, listening to the mother-son team toss directions at each other in Spanish – Reneida all the while stirring in high-heeled boots – as more than 50 people queue up to sample the food. Even though last night’s event was one-time only, it’s in keeping with the gallery’s current focus on family, exhibited in the series Parenthesis.

That two-story, freestanding wall over there? That’s Bert Rodriguez’s A Wall I Built with My Father. The video installation upstairs, Stealing Beauty, features Israeli artist Guy Ben-Ner, his wife and two children creating a “home” in Ikeas around the world to hilarious effect. It’s hard not to laugh when Ben-Ner explains to his eldest daughter why mom isn’t his property, as his youngest pretends to wash dishes in sink.

Though Western Bridge deals more in concept art than visual art, it seems to do so with a good sense of humor, and Parenthesis is no exception. The group exhibit runs through December 19. (And if you’re now craving Cuban food, try Paseo.)

Click here for more family-oriented Met Picks, and here for our weekend Music picks.

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Met Picks: For the Kids

Peter Pan opens at the Seattle Center TONIGHT

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We’re trying to play this off as “events you can bring your children too,” but let’s be honest: we might go whether we have a tyke in hand or not. How can you resist Peter Pan? Consider some of the more mature reasons to see James Barrie’s classic at Seattle Center this weekend:

1. Peter Pan was a Tony Award-winning musical in the 1950s, when the charming Mary Martin played the title role.

2. Women’s lib has always gotten a boost from this play, which has traditionally featured women as the male lead since early 20th century productions.

3. Will the children see the irony in the play being sponsored locally by Continental Airlines? What, do Peter, Wendy and the gang book business class when Tinkerbell is out of fairy dust? I bet they leave the Lost Boys in coach. Poor Lost Boys.

4. Granted, the show is appropriate for children ages 6 and up, but crocodiles with a hankering for man hands are scary no matter what.

The show, performed by Seattle Children’s Theatre, runs tonight through January 10. Here’s a sample of what’s in store:

If a 2 hour, 15 minute play is a bit too much for the little ones, know that Fantastic Mr. Fox — Wes Anderson’s stop-motion film adaptation of the Roald Dahl novel — also opens tonight. It stars a cast of thousands, including George Clooney and Meryl Streep as the voices of Mr. and Mrs. Fox, as well as Anderson regulars Bill Murray, Jason Schwartzman, and Owen Wilson.

Click here for Music Met Picks and here for shows that are closing this weekend.

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Met Picks: Last Chance!

Don’t miss these shows, now in their final weekend

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LAST CHANCE TO SEE: Pacific Northwest Ballet’s Director’s Choice, including the sensual “Petit Mort” (closes Nov 15), and Simple Measures and Seattle Dance Project’s collaboration “Earth” (closes Nov 15).

We heard that PNB went above and beyond to put on last night’s performance, since the power was out at McCaw Hall — and across most of Lower Queen Anne — until 17 minutes till curtain. They didn’t get a full dress rehearsal in, so the show was admittedly a little rough around the edges, but we admire their perseverance. If we had a “The Show Must Go On!” Award, we’d give it to them. We should have one of those…a little tin trophy. I’m on it.

The Seattle Symphony Chorale performs Orff’s famous cantata Carmina burana this weekend only (Nov 12-14).

JUST KIDDING! Intiman Theatre has extended its run of the popular Abe Lincoln in Illinois — adapted from Robert E. Sherwood’s Pulitzer-winning 1938 script about our lanky leader’s life pre-White House — through November 19. We’re planning to go to the play this weekend, so check back here for our review of it on Sunday.

For more Met Picks in Music, click here.

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Happy Hour Outings

Make a night of it: beer, bowling and literati on Capitol Hill

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View Slideshow » Illustration:

Elizabeth Austen.

View Slideshow » Illustration:

Matt Smith.

View Slideshow » Illustration:

Molly Rose.

View Slideshow » Illustration:

Benjamin Parzybok.

Oops. You make plans with your work buddies and your oh-so-cultured girlfriend in the same night, didn’t you. It’s okay, we understand the plight of a busy social life — and how to escape unscathed.

Consider our latest Happy Hour Outing a package deal, the best of both worlds. Start with a beer — and yes, maybe some bowling — at Capitol Hill’s Garage (this week’s recommended happy hour from Lifestyle Editor Jessica Voelker).

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Then, say goodnight to your work crew (don’t worry, you’ll see them tomorrow) and walk a mere six blocks to Richard Hugo House on 11th Avenue and E Olive Street,+
28Garage29daddr=1634+11th+Ave,Seattle,WA+98122-2419+28Hugo+House29&hl=en&geocode=FRyB1gIddYq1-CFauVsQDKv4JSkjUvdVyWqQVDFIj2mlxDxzmg3BCbkEahtGRQqJFXSQ1gIdEpO1-CHS5xsEyT2GAynPo70MzWqQVDHyRZjwLcS1og&mra=pe&mrcr=0&sll=47.608015,-122.264099&sspn=0.211561,0.441513&ie=UTF8&z=16 where you can meet your girlfriend next Friday, November 20, at 7.30pm for the start of the House’s much-anticipated quarterly literary series.

Matt-smith

Matt Smith.


Poet Elizabeth Austen, actor Matt Smith, singer-songwriter Molly Rose, and novelist Benjamin Parzybok will address the theme Visiting Hours and present new, original work. Get your tickets here ($15-$25) before they run out.

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Molly Rose.


For Elizabeth Austen’s poetry show on radio station KUOW click here, and click here for her blog.

See Matt Smith’s tongue-in-cheek viaduct defense here.

Sample Molly Rose’s music blog here.

Click here to read some of Benjamin Parzybok’s novel Couch.

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Met Picks: Music

Your best entertainment bets Nov 12-15

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If we had $1 for every ‘80s band that’s reunited lately and started touring behind “commemorative albums” or old hit singles, we’d have enough money to buy one of their CDs online… or the KFC family meal. It’s a toss-up.

No question though: Your money will be well spent tonight at the Paramount, where seminal punk/alt-rock band the Pixies will take the stage to celebrate the 20th anniversary of hit album Doolittle. Seattle fun fact: Kurt Cobain is said to have tried to recapture the Pixies’ sound on “Smells Like Teen Spirit.”

And if you don’t know what the Pixies actually sound like — well, that makes us sad. Watch this:

Making another $1! Arizona-bred alt-rockers Gin Blossoms bring “Hey Jealousy” to Snoqualmie Casino on Friday. Rumor has it they have a new studio album in the works, so if they play songs you don’t recognize, don’t immediately blame the booze.

Competing for your attention on Friday: Sub Pop icons Mudhoney — aka the original Seattle grunge band, aka the band Nirvana opened for — plays Neumos. As Kurt B. Reighley wrote in his Seattle Met tribute to the raucous quartet: “They may be family men with full-time day jobs, but Mudhoney still kicks ass harder than bands half their age and 10 times as wealthy.”

One final thought: Local band Visqueen will headline the Crocodile Saturday as part of a benefit concert for The Service Board, a Seattle non-profit that “uses mentors, community service and snowboarding to change the lives of Seattle’s young people.” Doors open at 8; tickets for dinner and the benefit are $125, or $25 just for the show.

For more Met Picks, including shows that are closing this weekend, click here.

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Recession Special: Update

Having fun for one low, low price!

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Jewelry-studios

Learn how to make your own jewelry at Pratt Fine Arts Center.

Not much time left to sign up for the Fall Arts classes at Pratt, where you can learn how to weld on a Wednesday night for less than it costs to have dinner for two at Dahlia Lounge. Not that we don’t like Dahlia Lounge, Mr. Douglas. Sir.

If the lure of welding isn’t going to get you out of the house, will blacksmithing? Or how about any of the other 20+ classes offered, ranging from screenprinting and life drawing to “flameworking” glass holiday ornaments? Sessions are short and sweet (four hours max), cost $50 on average, and run weeknights and weekends from November 15-25. They fill up quickly with beginners and experienced artists alike, so we’re keeping our fingers crossed that there are a few slots left open for us. And you, of course. We’re all friends here.

UPDATE: If you’d prefer to know what you’re getting into before signing up, Pratt Fine Arts Center will host an Open House on Saturday, November 14, from 6-9pm. It’s your chance to watch artists at work — pouring, melting, painting, carving — and ask questions about classes. Plus, there are activities for children AND a cash bar. Separate. Don’t worry.

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Joke of the Day: Rodger Lizaola

Seattle comedian advances to semifinals of Seattle International Stand-Up Comedy Competition.

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Rodger Lizaola, a California native who moved to Seattle in 2003, is one of five comedians—and the only local—to advance from the first round of the 30th Annual Seattle International Stand-Up Comedy Competition; other finalists include Matt Billon of Toronto, Andy Haynes of New York, Steve Monroe of Los Angeles, and Jose Sarduy of Miami.

The second round of preliminaries, featuring 16 new competitors, starts tonight at 8 at the Comedy Underground. For more info on the competition and to buy tickets, click here.

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Who says the weekend has to end?

Don’t Miss Mondays: Devo

The guys in those hats come to the Moore TONIGHT

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Devo

When a problem comes along, go see Devo.

Let’s go back to 1980, when an Akron, Ohio quintet in yellow suits and red plastic “Energy Dome” hats had everyone bopping around to synth pop, the “New Wave” of music.

Fast-forward to 2009, and we have…the same thing. Except the band members are now in their late 50s — save for a younger drummer — bopping around in yellow suits and red plastic hats. Worth seeing, right?

Welcome to the new Devo tour, a seven-city swing behind the re-release of two of their most iconic albums: 1978 debut LP Q: Are We Not Men? We Are Devo and breakthrough album Freedom of Choice (1980), which featured hit single “Whip It.”

Last night, they were slated to play Q: Are We Not Men? in its entirety at the Moore. If tonight’s set list is anything like their show in San Francisco, you’ll get a run-through of Freedom of Choice:

November 7 set list, courtesy of Rolling Stone:

“Girl U Want”
“It’s Not Right”
“Whip It”
“Snowball”
“Ton o’ Luv”
“Freedom of Choice”
“Gates of Steel”
“Cold War”
“Don’t You Know”
“That’s Pep”
“Mr. B’s Ballroom”
“Planet Earth”

Encore
“Be Stiff”
“Beautiful World”

Don’t miss this chance to see original members Gerald Casale (bass), Bob Casale (guitar), Mark Mothersbaugh (lead vocals), and Bob Mothersbaugh (guitar) with new drummer Josh Freese (A Perfect Circle, Nine Inch Nails, Guns N’ Roses) in all their manic glory.

Craving the ‘80s but can’t get in to see Devo? Go to Central Cinema for its Breakfast Club Tribute to John Hughes, where you can see the Brat Pack on the big screen, plus enjoy a pre-show series of trailers for classic Hughes films, Hughes trivia, and a soundtrack sing-along starting at 9.30pm.

Also bringing a bit of New Wave sound to Seattle is A Fine Frenzy, aka 24-year-old singer-songwriter Alison Sudol. Though she’s known for her breathless, sentimental tracks on debut album One Cell in the Sea (2007), she’ll likely show off a spunkier side tonight at Neumos with songs from her latest, Bomb in a Birdcage.

“I think some people may be surprised,” Sudol writes on A Fine Frenzy’s website. “They think that I’m all fragile and ethereal — and that’s lovely, it’s flattering. It’s all I’ve really let anyone see, up to this point. But I have a wild side too. I like to bang on things and cause a ruckus every now and then. I’m a quiet person with a loud streak. I like both. This record is a testament to that.”

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Spotlight On: Alex Steffen

Why “bright green” is the new green (PREVIEW Town Hall Nov 11&12)

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Alex Steffen, green maven and executive editor of Worldchanging.com.

Alex Steffen, the car-less Columbia City crusader of Worldchanging.com, left the Bay Area to hone his journalistic skills at the Japan Times before coming to Seattle 15 years ago. Now the 41-year-old executive editor of the top-rated sustainability site takes time out from advising world leaders (he’s a keynote speaker at next month’s all-important UN Copenhagen Climate Convention) to give us a preview of his two-part Town Hall presentation, “Building a Planet with a Future” and “Seattle’s Bright Green Moment,” on November 11 & 12. Tickets are selling fast.

I read that you met Al Gore. What do you think of him?
I respect the man enormously. The man is pretty much as close as we have to an American hero. He wrote the foreword to our book [Worldchanging].

What is the difference between bright green vs. green?
Green has been defined, in a lot of people’s minds, with the idea of sacrifice, downscaling, and reducing quality of life. That’s been the traditional way people looked at green. Bright green is really about saying that not only can we have sustainable prosperity, but that a sustainability which is built on the idea of giving people a higher standard of living and more quality of life is more likely to be successful.

Where is Seattle on the green scale?
You say ‘Seattle’ everywhere from Scandinavia to India and they instantly think, ‘That’s the place where unicorns pick up the recycling.’ They have this crazy idea that we’re this Emerald Utopia. But the reality is that in some really fundamental ways, we’ve fallen behind.

What are the three biggest opportunities for our bright green future?
Cars and compact development is one of them. That set of issues is really important, hard to overstate. Another part is regional economic development. There’s a whole array of expertise and solutions that are necessary for building a bright green economy. The regions that get there first are going to be the ones that prosper. A third piece of it, which is particularly appropriate to Seattle, is this collision of urban space with technology. The new wave is really about technology suffusing through urban life.

What do you do when you’re not talking about bright green?
Is there something else other than talking about bright green? [Laughs.]

Catch Steffen’s tweets directly via Copenhagen @AlexSteffen

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Met Picks: Dance

Keeping you cultured this weekend and beyond

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A chamber music ensemble playing classic rock accompaniment for a bunch of ballerinas? Pigs needn’t fly for this to happen. Tomorrow through November 15, Simple Measures and Seattle Dance Project join forces on Earth, an exciting program that includes classical music, classic rock and modern dance performed by former Pacific Northwest Ballet members. Here’s a glimpse of what’s in store:

Speaking of PNB, we’re impressed by the program they put together for Director’s Choice, which opened last night at McCaw Hall and also runs through November 15. (Dance-off!) The bill features four distinct performances, ranging from reliable crowd-pleaser “West Side Story Suite” to a raw, sensual “Petite Mort” (French for “little death”). The former, surprisingly, was the low point of the night — fun, no doubt, but with miscues (the dancers should not be asked to sing).

Rather, the first half alone is worth the price of admission. “Petite Mort,” choreographed by Jiri Kylian, enthralls with its lineup of should-be Calvin Klein underwear models brandishing fencing foils, then forgoing foils for the company of a partner. (Innuendo abounds.) The dance is so intimate, it prompted my partner to whisper “That’s sexy as hell” at its completion. Had to agree.

But it’s James Moore‘s solo performance in Marco Goecke’s “Mopey” that steals the show. In the most emotionally charged 15 minutes of the evening, Moore writhes about under harsh white light, seemingly trying to free himself from the shackles of a straitjacket. This provocative piece runs the gamut from silly to nervous to ominous, and Moore captivates throughout.

Rounding out the night is “The Seasons” in its world premiere — a lovely, elegant allegory on the changing of the seasons, with noteworthy performances by PNB principals Lucien Postlewaite, Karel Cruz and Ariana Lallone.

And as we mentioned Wednesday, the PNB is offering discounted tickets for anyone 25 and under to its Friday night performances (tonight, and Nov 13). Whether you’re an old hand or a ballet novice, we recommend this varied bill, which has a little something for everyone.

Want more? Click here for our weekend picks in Film, Music and Theater.

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Met Picks: Theater

Tom Stoppard’s Rock ‘n’ Roll closes SUNDAY

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ACT Theatre’s production of Tom Stoppard’s Rock ‘n’ Roll has gotten rave reviews since it opened October 9. The Seattle Times made note of its strong cast and the work’s “mature, empathetic humanism”; Seattle Weekly says it’s replete with “cerebral party favors.” Our own Steve Wiecking included it as a must-see Met Pick in our fall arts preview. This is your last weekend to check out Stoppard’s tale of rock and communism, which comes laden with references to Pink Floyd, the Rolling Stones, Velvet Underground — and, of course, the poetry of Sappho. (This is a Stoppard play, what did you expect? High Fidelity?)

Want more? Check out our weekend picks in Dance, Film and Music.

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Happy Hour Outings

Make a night of it: drinks and a show in Ballard

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Nashville rocker Will Hoge.

Lately, we’ve been enjoying happy hour at the Viking-inspired Coppergate in Ballard – especially its Big Cucumber cocktails. But rather than tipping a few back so you can promptly go home and crash at 8pm, consider rounding out your evening with a little…culture.

Welcome to our first installment of Happy Hour Outings, where we pair a show with a happy hour recommended by Lifestyle Editor Jessica Voelker, and keep it all within walking distance.

Here’s the plan for next Wednesday, November 11: Start with Coppergate’s happy hour from 5-7pm, then walk down 24th Avenue NW toward Tractor Tavern, where Nashville rock singer-songwriter Will Hoge is scheduled to perform (Paul Freeman opens; show starts at 8pm).

Hoge spent a good part of the past year recovering from a serious scooter accident that left him with a broken sternum, femur, ribs (the list goes on), and inspired his latest album, The Wreckage. We’re just excited he’s okay and touring again, since one of us (one guess) has had a very girlish crush on Hoge and his Springsteen-styled rock since his 2003 release, Blackbird on a Lonely Wire. Go ahead, be smitten:

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Met Picks: Music

Your best entertainment bets for Nov 5-8

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Photo: Regis Hertrich

England’s macabre musical trio Tiger Lillies paint their faces and clown through The Songs of Shockheaded Peter and Other Gory Verses at the Moore Theatre November 6.

View Slideshow » Photo: Regis Hertrich

England’s macabre musical trio Tiger Lillies paint their faces and clown through The Songs of Shockheaded Peter and Other Gory Verses at the Moore Theatre November 6.

Seattle Met loves the Tiger Lillies. So much so that we wrote about them here and here – oh, and here! Catch England’s macabre punk trio as they kick off the Seattle International Cabaret Festival at the Moore tomorrow night. (By the way: did you notice we mentioned a cabaret festival? There are can-can men. Just sayin’.)

It’s your last weekend to stop by the Earshot Jazz Festival (closing Nov 8). We’re excited about the Seattle Repertory Jazz Orchestra’s tribute to Ray Charles and Quincy Jones, featuring Dean Bowman lending vocals to the Rep’s treatment of 1961 album Genius + Soul = Jazz. (That Ray Charles was modest, wasn’t he.)

It’s just a man and his piano onstage at Benaroya Hall on Sunday. But not just any man: Rufus Wainwright. And not just any piano…okay, we don’t know what kind of piano, but that’s not going to stop you from going, is it?

Also competing for your attention on Sunday: alt-rock band Dinosaur Jr comes to Showbox at the Market, and Devo whips things up at the Moore.

We’re just getting started. For our weekend Film picks, click here.

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Met Picks: Film

The weekend is coming, the weekend is coming!

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Don’t want to get off the couch this weekend? Why not try someone else’s couch for a change? From 11am-7pm Saturday, people from Belltown to Ballard will open up their homes for 30-minute short film viewings. It’s a film-crawl of sorts, snacks included, and all vetted by the organizers of Couch Fest.

AT THE THEATERS:
Franco Zeffirelli’s extravagant production of Puccini’s classic opera Turandot hits the big screen in HD Saturday night. You’ll be able to see the pores of every performer in The Met: Live in HD.

Romy Schneider finds a bazooka in her husband’s closet. Their marriage understandably suffers in the 1962 thriller Le Combat Dans I’lle, playing at SIFF Cinema.

Enjoy bagels and Bloody Marys on Sunday morning at the Big Picture in Redmond. Oh wait, there’s a movie too: Get Shorty. Doors open at 11.45am; screening is at 12.30pm.

A reporter (Ewan McGregor) gets a bigger story than he bargained for when he meets the members of a special “psychic” U.S. Military unit (George Clooney, Kevin Spacey, Jeff Bridges) in The Men Who Stare at Goats (opens Friday, inspired by a true story).



Want more? Check out our weekend picks in Music, Dance, and Theater.

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Joke of the Day: Brian Boshes

30th Seattle International Comedy Competition starts TONIGHT

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Brian Boshes wants you to like him — really like him — during the Seattle International Comedy Competition.

“I quit online dating because I was feeling incredibly guilty. While looking for my next date I felt just like I did when I was shopping for a new LCD TV. I knew that, in the end, I was looking for something pretty that I would proudly mount next to my fireplace.”

—Brian Boshes, Seattle

Boshes, a self-proclaimed “computer programmer-turned-stand-up comedian,” is one of four local stand-up comics representing in the first round of the 30th Seattle International Comedy Competition, which kicks off tonight at 8 at the Columbia City Theater. Thirty-two men and women will try to wise-crack their way to the final on Nov 29. Winner takes home $5,000, a recording contract, and a Happy Meal. Well, two out of three.

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Review: Steve Martin and the Steep Canyon Rangers

The Jerk delivers one-liners and quick-pickin’

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Steve Martin’s album The Crow, released May 2009

I’ve never been to a show with four standing ovations – until last night. Steve Martin and the Steep Canyon Rangers launched the Baby Boomer audience at Benaroya Hall out of its seats with a blend of stand-up comedy, banjo and bluegrass, and though one of the ovations was admittedly coerced (Martin before “Calico Train”: “This song has never not gotten a standing ovation”), the others were well deserved.

Over two hours, Martin and the North Carolina quintet played a rollicking set of standards, Irish jigs, and original songs from Martin’s new album, The Crow: New Songs for the Five-String Banjo, that had a typically staid Seattle audience whooping and hollering. Though it’s easier to recall Martin’s stints on Saturday Night Live in the ’70s, or his time spent as the Pink Panther, Sgt. Bilko, or one of the Three Amigos, don’t dismiss his banjo-plucking as midlife dabbling. He has honed his skills over 45 years, and now displays a virtuosity sure to impress even the most cynical bluegrass fan. (If there is such a thing as a cynical bluegrass fan…)

Particularly impressive was his instrumental duet with fiddler Nicky Sanders on unrecorded original “Hide Behind a Rock”; Sanders later delivered a blistering fiddle solo on bluegrass standard “Orange Blossom Special” that left his bow tattered and the audience clamoring for more.

“What’s the difference between a fiddle and a violin?” Martin asked Sanders at one point.
“You can spill beer on a fiddle,” Sanders said. Even the band delivers punch lines.

As much as this show was about Martin – his music, his oft-hilarious lyrics (“Atheists’ Hymnbook,” anyone?) and series of one-liners – it was also a showcase for the energetic Steep Canyon Rangers. Named the International Bluegrass Music Association’s “Emerging Artist of the Year” in 2006, the Rangers ooze charm and talent, and come packaged as handsome, clean-cut Asheville boys in gray pinstripe suits. The women in the audience were cooing long after the show was over, particularly after hearing guitarist/lead singer Woody Platt’s rich vocals on songs like Martin’s sweet clawhammer tune “Daddy Played the Banjo.” The Rangers’ four-part harmony on a cappella hymn “I Can’t Sit Down” would have made the Beach Boys jealous.

Of course, Martin refuses to let the show get too precious. Encore No. 3 was the silly 1978 hit “King Tut,” which you can relive here.

Favorite line of the night: “I wanted to call this song ‘I Think My Masseuse is Too Chatty,’ but the studio wouldn’t go for it."

If you missed the show: Find The Crow online at stevemartin.com.

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Recession Special

This week’s ways to have fun for free…or free-ish

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Soloist James Moore performs in Mopey, which appears on the ­Pacific Northwest Ballet Director’s Choice program November 5–15. Photo by Chris Bennion.

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Soloist James Moore performs in Mopey, which appears on the ­Pacific Northwest Ballet Director’s Choice program November 5–15. Photo by Chris Bennion.

Some might scoff at the words “affordable” and “ballet” in the same sentence. It’s like saying “cheap china” or “sale at Prada.” But trust us: this deal is legit.

The Pacific Northwest Ballet (PNB) has discounted its tickets for the much-anticipated Director’s Choice
program, featuring the West Side Story Suite, Mopey, The Seasons, and Petite Mort, which Steve Wiecking highlighted as a Met Pick in our fall arts preview.

Anyone 25 and under can buy one ticket for $15 and two for $25 for the Thursday (Nov 5) performance and Friday (Nov 6 & 13) performances. Call PNB’s box office (206-441-2424) or go to the ticket window at 301 Mercer Street. Some notes from PNB: Subject to availability. Not valid on previously purchased tickets. Each attendee must present valid ID upon ticket retrieval.

FREE SHOW @ Dimitriou’s Jazz Alley
Sachal Vasandani
Nov 10 & 11

The Pacific Jazz Institute at Dimitriou’s Jazz Alley offers up jazz/pop vocalist Sachal Vasandani for two “complimentary shows” next Tuesday and Wednesday, 7.30pm. We think complimentary just means FREE, and we’ll tell you if we hear otherwise. Important note: Reservations are required, so go to jazzalley.com or call 206-441-9729 to book tickets.

The 30-year-old Vasandani tours behind his sophomore album, We Move, with band members Jeb Patton (piano), David Wong (bass) and Justin Brown (drums). He’s caused quite a stir in NYC with a regular gig at the Zinc Bar; The New York Times even honored him with a “Critic’s Choice” this fall for his latest effort.

Here’s a track from his first album, Eyes Wide Open. Your eyes might be wide open after it, too — the video features a lady-in-bikini who becomes a lady-in-bathtub. Don’t worry, it’s work-appropriate.

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Bon Jovi tickets on sale Monday, Nov. 9

We’ll follow that hair anywhere

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NEWS. Tickets for Bon Jovi’s Seattle concert next February will go on sale MONDAY, Nov 9, at 10am, at the Key Arena box office and at ticketmaster.com.

The Feb 19 concert will launch the New Jersey rockers’ “Circle World Tour” — a grueling two-year romp around the world that includes 135 shows in 30 countries. Call me impressed: Jon Bon’s pushing 50. Most 50-year-olds I know work a 9-5, come home, have a beer, and fall asleep on the couch in front of the latest episode of Chuck.

Bon Jovi will tour behind their eleventh studio album, The Circle (out Nov 10), which guitarist Richie Sambora called a return to their rock ‘n’ roll roots after 2007’s country-fied Lost Highway.

Fans can pre-order a copy of the album — and up to four concert tickets — from Thu, Nov 5, 10am, through Sun, Nov 8, 10pm, via Ticketmaster. Until then, get your fill of slick hair and guitar riffs with this clip of their new single, “We Weren’t Born to Follow.”

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John Cleese, Steve Martin, John Irving, Regina Spektor TONIGHT

Sadly, they’re not on the same bill. How do you choose?

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“It’s got really big teeth!” John Cleese of Monty Python fame, doing what (we hope) is his Holy Grail rabbit impression.

It’s rare that such a lineup comes to Seattle on the same night — especially a weekday night. (You can’t see me, but I’m shaking my fist in anger.) What’s a culture fiend to do?

At least be informed before you book tickets. Here’s what we know:

John Cleese @ the Moore Theatre
Expect him to: Muse on Monty Python, Fawlty Towers, and alimony. The veteran British comic actor/writer is referring to his one-man show as the “How to Finance Your Divorce” tour. Sadly, it’s not a joke: the 70-year-old owes his (third) ex-wife $20 million.
Why you should go: You don’t have to be a Monty Python fan to enjoy Cleese’s sense of humor – though we expect it to be a shade darker since this divorce seems to have left him a tad, um, bitter.
Before you go: Rent the new Fawlty Towers: The Complete Collection Remastered, just out on DVD.

John Irving @ Third Place Books
Expect him to: Chat candidly with Seattle Times Books editor Mary Ann Gwinn, and read from his latest (and twelfth) novel, Last Night in Twisted River, about a 12-year-old boy who makes a tragic mistake that sends father and son running from the law.
Why you should go: Have you ever met a character quite like Owen Meany? Don’t you want to meet the guy who created Owen Meany? If Irving is as complex and colorful in person as his characters are in A Prayer for Owen Meany, The World According to Garp, and The Cider House Rules, this should be one hell of a discussion.
Did you know: Kurt Vonnegut taught John Irving at the prestigious Iowa Writers’ Workshop in the mid-’60s.

Steve Martin @ Benaroya Hall
Expect him to: Play songs from his first full-length bluegrass album, The Crow: New Songs for the Five-String Banjo, with North Carolina quintet Steep Canyon Rangers. Wise-cracking included.
Why you should go: The guy goes from wearing an arrow on his head to being a chart-topping bluegrass banjo player. In between, he’s done films, sketch comedy, written books and plays, and will likely sculpt the next David (if we had to guess). The Talented Mr. Martin remains entertaining – and relevant – after nearly 40 years in the business.
Before you go: Check out his website. Each time you click on a new page, a new quip comes up. Example: “SteveMartin.com: Just to spite other guys named Steve Martin.” “SteveMartin.com: Because Twitter’s too easy.” Great way to waste time…

Regina Spektor @ Paramount Theatre
Expect her to: Perform alt-pop piano tunes from her latest studio album, Far (2009). Listen for hints of the artists who influenced her: Bob Dylan, Queen, Nirvana, The Ramones.
Why you should go: The San Francisco Chronicle called her “the best 29-year-old Jewish-Russian classical anti-folk storytelling female singer-songwriter we’ve heard all year.” Good enough for us.
Did you know: Spektor, who used to open for Kings of Leon and the Strokes, is penning songs for Broadway-bound musical Beauty, based on the Brothers Grimm tale Sleeping Beauty.

Who did we choose? Steve Martin — we’re suckers for bluegrass comedy, whatever that is. Let us know who you picked, and check back here tomorrow for our review of The Jerk’s show.

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Don’t Miss Mondays

Who says the weekend has to end? Our top picks for Monday night

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Sequel to Freakonomics

Town Hall Talk: SuperFreakonomics co-authors Steven D. Levitt and Stephen J. Dubner

Their first book, Freakonomics (2005), sold more than 4 million copies and stayed on the New York Times bestseller list for two years. Turns out people love a juicy stats story (just look at the success of Malcolm Gladwell’s Outliers ). But we’re curious if the controversy surrounding their latest yarns in SuperFreakonomics – namely, a chapter on nontraditional solutions to global warming – will dampen the spirits of UChicago economics professor Levitt and journalist Dubner. Even Levitt’s colleagues are weighing in on how he’s “ruining the dismal science” – that’s gotta hurt. Want to hear what the authors have to say about volcanoes cooling the planet? Or how drunk-walking is eight times as dangerous as drunk-driving? Stop by Town Hall Seattle tonight at 7 ($30 entrance fee, includes a copy of SuperFreakonomics: Global Cooling, Patriotic Prostitutes and Why Suicide Bombers Should Buy Life Insurance).

For more on Levitt and Dubner, check out their Freakonomics blog

Silent Movie Mondays: Adventure Stories to Silent Classics

This week’s silent movie marathon at Paramount Theatre includes the 1916 classic 20,000 Leagues Under the Sea, The Adventures of Prince Achmed and Lost World with Jim Riggs accompanying each on the Wurlitzer organ. All we have to say about Lost World is that dinosaurs are involved. A 1925 silent film about dinosaurs. Think about it.

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