Album of the Month: Lemolo's 'The Kaleidoscope'
Sweet dreams are made of this. The Seattle dream-pop duo is hard at work soothing our souls with its debut.
Never mind what the Eurythmics said in the ’80s. After listening to The Kaleidoscope, the debut album from Seattle duo Lemolo, it’s clear that this is what sweet dreams are made of. The lynchpin of Meagan Grandall and Kendra Cox’s lyrical dream-pop is Grandall’s delicate coo. It’s as if she’s singing a lullaby to coax restless children to sleep. Her guitar playing never forces the issue, as her carefully selected notes seem to swirl while the duo’s looping keyboard drives each song forward. Even Cox on drums provides understated beats. On the rare occasion when she brings the noise (notably with the constant thumping kick of “Open Air”), her drumming doesn’t disrupt the album’s current.
It seems appropriate that Grandall and Cox became friends as kayak instructors; Lemolo is less about making hit singles and more about rhythm and flow, a cascading soundscape fit for lazy afternoons on Lake Washington. But don’t let the sleepiness fool you: Lemolo is everywhere this summer. Between high-profile opening gigs (for Sharon Van Etten next week), festival dates (Capitol Hill Block Party, Doe Bay), and sold-out release shows for The Kaleidoscope, the Seattle dream-pop duo is hard at work soothing our souls.
At times, The Kaleidoscope’s tracks veer dangerously close to sounding the same. Things drag on tracks “On Again, Off Again” and “Who Loves” because of lyrical repetition, but only if you take the songs on their own, and not as part of the whole. The album isn’t about a message; it’s about a feel. Even though Lemolo only offers one extended jam (the seven-plus minutes of “We Felt the Fall”), it’s clear that giving tracks room to stretch out and breathe is closer to the band’s natural form than the conventional three-minute pop song.
Lemolo (opening for Sharon Van Etten and Tennis)
Aug 7 at 8, Neptune Theatre, $16